REVIEW: Haegue Yang: "Family of Equivocations" @ Aubette 1928 & Museum of Modern and Contemporary Art
ArtAsiaPacific
Between the modern art capitals of Paris and Berlin, the modest city of Strasbourg made a just brief cameo in the interwar chapter of European Modernism. This oft-forgotten moment is central to the plot of Haegue Yang’s first large-scale solo show at a French institution, “Family of Equivocations,” a project two years in the making with Strasbourg Museum’s curator Camille Giertler.
ArtAsiaPacific
