REVIEW: Jiha Moon's "Foreign Love Too"

Questions of cultural appropriation abound in Jiha Moon’s “Foreign Love Too,” her second solo exhibition at Ryan Lee Gallery (formerly Mary Ryan Gallery) in New York. In paintings, works on paper and ceramics, pop culture, art historical references and icons from the East and West collide, often fusing into hybrid symbols. These visual signifiers become inextricably linked, indicating that when cultures meet, rather than clashing, they meld, raising complicated issues of complicity.

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