the top of the Eiffel Tower isn’t rendered; instead, it disappears into an
ecstatic composition of pure, bright colors. The painting, in turn, becomes a
symbol of optimism, capturing the tremendous tower as a monument to the possibilities of a
Ville de Paris, la Femme et la Tour Eiffel (1925) is on view at TEFAF, Maastricht, March 11–20, 2016.