(2015), three forms are aligned in a vertical column: a clearly outlined
bullseye protrudes outward like a nipple above a painted-gray circle and an entangled web of twine near the bottom. Coffee stain–colored
drips wrap around the work’s border, while an uneven painted surface and
irregular patterning reveal Seborovski’s key interest: texture. The same
motifs—drip marks, concentric circles—recur in Purged (2015), with its grainy
texture and stream of beige-yellow paint. Purged is displayed upright so
that its drip pattern seems to travel upward in defiance of gravity.