Andrew Kung, Wish I Had A Hero Who Looks Like Me, 2019. Courtesy of the artist.
Valery Jung Estabrook, Hometown Hero (Ch*nk), 2015–17. Photographed by Samuel Morgan Photography. Courtesy of the artist.
Valery Jung Estabrook, Hometown Hero (Ch*nk), 2015–17. Courtesy of the artist.
Valery Jung Estabrook, Hometown Hero (Ch*nk), 2015–17. Courtesy of the artist.
stephanie mei huang, four self portraits as a cowboy, 2020, in collaboration with V Haddad and Sam Richardson’s self portraits service. Courtesy of the artist.
stephanie mei huang, Seven Self Portraits as a Cowboy, 2019. Courtesy of the artist.
stephanie mei huang, Requiem for my Damsel, 2020. Courtesy of the artist.
Alex Ito, installation shot of Principles of Hope (The End), 2019 at Franz Josefs Kai 3. Courtesy of the artist and Zeller Van Almsick.
Alex Ito, installation shot of Western Verbiage I, 2020, at Interstate Projects. Courtesy of the artist .
Alex Ito, installation shot of Old Glory, 2019, at Zeller Van Almsick. Courtesy of the artist.
Andrew Kung, Desexualization vs. Fetishization, 2019. Courtesy of the artist.
Andrew Kung, Desexualization vs. Fetishization, 2019. Courtesy of the artist.
Hồng-An Trương, installation view of On minor histories and the horrifying recognition of the swift work of time, 2016, at Nhà Sàn, Hanoi. Courtesy of the artist.