Jeanette Mundt, Jeanette Mundt on Pink Camo 5, 2018. Courtesy of the artist and Société, Berlin.
Jeanette Mundt, Born Athlete American: Simone Biles I, 2017. Courtesy of the artist and Société, Berlin.
Kara Walker, Fall Frum Grace, Miss Pipi's Blue Tale (still), 2011. © Kara Walker. Courtesy Sprüth Magers and Sikkema Jenkins & Co.
Installation view of Mario García Torres, “Not to Belong to Themselves,” at neugerriemschneider Berlin, 2018. Photo by Jens Ziehe © Mario García Torres. Courtesy of the artist and neugerriemschneider, Berlin.
Installation view of Claudia Comte, “When Dinosaurs Ruled the Earth,” at König Galerie, 2018. Courtesy of the artists and König Galerie.
Installation view of Sven Johne, Dear Vladimir Putin, 2017, at Klemm’s, Berlin, 2018. Courtesy of Klemm’s.
Installation view of work by AA Bronson and General Idea for “Catch me if you can!” at Esther Schipper, Berlin, 2018.
Ian Cheng, “Emissaries”
Julia Stoschek Collection, April 27th–July 1st
Installation view of Ian Cheng, Emissary Sunsets the Self (trilogy), 2017. Photo by Bryan Conley. © Carnegie Museum of Art, Pittsburgh, 2018. Courtesy of JSC, Berlin.
“The Way Things Run (Der Lauf der Dinge), Part 1: Loose Ends Don’t Tie”
PS120, April 28th–ongoing
Left to right: Tom Burr, Where there's smoke, 2011, Beard Board series, 2011, and Rosemarie Trockel, Made in Western Germany Blue, 1990, for “The Way Things Run (Der Lauf der Dinge)” at PS120, 2018. Photo by Steffen Kroner. Courtesy of PS120.
“No Place” and “Like Home”
GLINT, April 27th–May 12th
Installation view of “No Place,” at GLINT, Berlin, 2018. Courtesy of No Place.
The Van Cleef & Arpels Frivole Collection