Just as the curvilinear edges of Harvey’s Ceramic Cut Outs #13 (2014) complement the expressive brushwork of a Pozo painting behind it, Saxe’s Moss Rock (2014) visually echoes portions of Pozo’s Critical Mass (2014). One work in particular stands out: Bendolph’s Housetop Variation (ca. 1980). In this large textile piece, small squares make up larger squares, without the composition being overly geometric or prescribed. Rather, recycled plaid scraps rub up against cheerful yellow bits, with hints of the fabrics’ origins lingering on the fray.