Finally, in Single Cube Formation No.4, Nazareth, Ethiopia (2011), Dawit reappears in the frame, holding the box again. This time he is squatting, his arms bowing outward to hold the box over his face and shoulders. Behind him, Ethiopian plains roll up into distant hills. His bright green shirt and blue jeans contrast with the earth tones of the box and the prairie. These simple relationships call attention not only to the aesthetic choices Dawit makes, but also to the various places in which he works and their cultural nuances (even when they’re not visible within the frame), each sharing some similarities and profound differences.