Covering the formative first 13 years of Kelly’s long and distinguished career, the 383-page book includes more than 400 color illustrations and crucial biographical details. Kelly and Alain Bois worked together to eloquently trace the artist’s development of his own voice, outlining his evolution from art student to pioneering young artist, up to his return to the U.S. from France in 1954.
As the tome explains, Kelly really came into his own while living in Paris. While serving in France in the U.S. Army during WWII, he fell under the city’s spell and decided to complete his studies there shortly after the war ended. “After arriving in Paris in 1948, I realized that figurative painting and also abstract painting […] as I had known it in the 20th century no longer interested me as a solution to my own problems,” the artist wrote
in 1969. “The forms found in the vaulting of a cathedral or even a splatter of tar on the road seemed more valid and instructive and a more voluptuous experience […]. Instead of making a picture that was an interpretation of a thing seen, or a picture of invented content, I found an object and ‘presented’ it as itself alone.”