Such surrender to the vagaries of life is made especially apparent in Zener’s large-scale composition Letting Go (2015). Against a brilliant blue sky, we see a man being shot out of a white-and-yellow-striped water slide. He is accompanied by a stream of water, which obscures his face and upper body. His posture seems relaxed, indicating that he has given in to the momentum of his ride. He hangs suspended in the air, ready for wherever it will take him.