Solange Knowles, An Ode To, 2017, at the Guggenheim. Photo by @theybf_daily, via Instagram.
The Grandparents of Modern Performance
Joseph Beuys, I Like America and America Likes Me, 1974. © Joseph Beuys.
The Second Performative Turn?
Tehching Hsieh, One Year Performance 1980-1981, New York. Photograph by Michael Shen. © Tehching Hsieh Courtesy of the artist and Sean Kelly Gallery.
Tehching Hsieh, One Year Performance 1980-1981, New York. The First Five Hours of Images and the Last Five Hours of Images in the Year. © Tehching Hsieh. Courtesy of the artist and Sean Kelly, New York
Separating the Meaningful from the Lazy
Performance, Protest, and Politics