The piece was inspired by the accounts of astronauts on their first voyage to space, which Jeffers found while working on Here We Are. “Astronauts orbiting planet Earth have been known to point out their home cities and countries in the first days,” he wrote in his self-titled monograph, published in 2018. But eventually, they only point out their continents. Finally, they realize “that the whole planet, the tiny blue marble in a sea of impossibly immense blackness, is home. Upon returning to Earth, it’s impossible to see anything the same way again.”
Jeffers sought to capture this phenomenon, called the overview effect, in the installation, which features to-scale models of Earth and the moon. Passersby can walk from one globe to the other, and as they approach the moon, they will see hand-painted text reading “No one lives here”; as they walk toward Earth, “People live here” will come into view. Through the project, Jeffers asks viewers to consider the artificiality of borders: The further away that one gets from their home city or country, the less it matters where one comes from. When in space, nationalism means nothing.