From afar, Tuppen’s Room 402, The Regency Hotel (2015) could be mistaken for a two-tone screen print; up close, it is clearly comprised of two towels. Domestic objects like a lampshade, floor plant, and window curtain are embroidered in black, woolen lines. Together, these items suggest a decorated, interior space—striking against the backsplash of kelly green and white towels. In Oasis Leisure Center (2015) textural details like wavy lines and sea animals appear on a buttery yellow beach towel, contrasting with a solid white hotel towel. Minimal lines—depicting another plant, an area rug, a sparse window—are stitched in bold, black squiggles on top.