represent two of the gallery’s most abstract offerings. Novatt’s bronze sculpture, Chaos San Sebastian
(2008), is a complex weave of
forms: interconnected bars create haphazardly stacked boxes. The piece resembles a skeletal exploration of Modernist sculpture—such as those of
—in which the outline of its form is all that remains. Manus’s sculpture, Jennifer
(2008), more closely recalls the work of
, with geometric forms bent into configurations that evoke the human body. On top of two black-painted aluminum cubes—tilted on their respective edges—rests a metal plate, torqued into an angular curl.