Art Market

The Studio Museum in Harlem received more than 400 works from the late collector Peggy Cooper Cafritz.

Benjamin Sutton
Oct 9, 2018 3:23PM, via Washington Post

Nina Chanel Abney, Untitled, 2012, acrylic on canvas. Courtesy the artist and Jack Shainman Gallery, New York, © Nina Chanel Abney.

Before she died in February at age 70, Peggy Cooper Cafritz, the co-founder of Washington, D.C.’s Duke Ellington School of the Arts (DESA), set in motion what would become the largest gift of works by contemporary artists of African descent in history. Yesterday, the Studio Museum in Harlem and the DESA announced that they will share the donation of more than 600 works from Cafritz’s collection, with more than 400 going to the Studio Museum and over 250 to DESA. For the Harlem institution, which is currently celebrating its 50th anniversary and working on a new building designed by Sir David Adjaye’s architecture firm, the gift represents an enormous boost to a collection that currently numbers more than 2,200 works.

“Peggy’s eye, her vision for her collection, is in many ways completely in communion with the values of the Studio Museum,” Studio Museum director Thelma Golden told the Washington Post. “Her support of artists early in their career and her commitment to their work throughout their career is incredibly admirable.”

Cafritz’s collection took a significant hit in 2009, when a fire at her home destroyed some 300 works. Nevertheless, she continued acquiring, and has gifted to the Studio Museum pieces by Nina Chanel Abney, Sanford Biggers, Nick Cave, Renee Cox, Emory Douglas, LaToya Ruby Frazier, Theaster Gates, David Hammons, Trenton Doyle Hancock, Kerry James Marshall, Wangechi Mutu, Toyin Ojih Odutola, Chris Ofili, Lorraine O’Grady, Kara Walker, and more. Her collection is the subject of a book published earlier this year by Rizzoli.

“I love kids. I had been working with them since I was seventeen. I thought it was so important for us to see ourselves in the context of beauty, and things that would make us question,” Cafritz told Golden in an interview conducted last year and published after the collector’s death. “I always knew that—that I would surround them with beauty and our history from the very beginning.”

Nick Cave, Soundsuit, 2009, mixed media including synthetic hair, fabric, metal, and mannequin. Courtesy the artist and Jack Shainman Gallery, New York, © Nick Cave.

Benjamin Sutton
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