It’s the motions of the forms, not the colors, that make Catunda’s work so dynamic. And the titles give it all away. The series is called “Projeto Night Club” (2014) in homage to the inspiration the artist found in the lively nightclub scene in her native São Paulo. Some of the pieces, like Lovers from Projeto Night Club (2014) refer to more concrete elements of that particular environment, while others, like Circles from Projeto Night Club (2014) or Anemona from Projeto Night Club (2014), do not. That’s where the artist’s tendency toward abstraction factors in: the works aren’t depictions of late-night locales; they reflect the vitality Catunda has observed there.