After a better part of a lifetime spent outside Turkey, it stands to reason that Levi identifies more with her adopted country than her native one. It is Switzerland, after all, where Levi went to school, developed a style, and built a career. She works on canvas and paper, and is known on the Basel scene and beyond for her expressionist impulses and bold use of color—two elements that are on obvious display in “Sibel.” The color palette is sumptuous, rich with watermelon reds, cerulean blues, and fiery vermilions. But her latest pieces are more conceptual, perhaps, than purely expressionist, from the mesmerizing grass-green swirls of paint in Sibel 4 (2014) to the candy cane-like stripes of Sibel 5 (2014). There’s something dense and evocative about these clusters of color: the pensive, wave-like swath of color of Sibel 3 (2014), the stark, near-frantic brushstrokes of Sibel 9 (2014), the romantic curves and dreamy Valentine-like hues of Sibel 10 (2014).