As part of a group of mid-century painters in Texas known as the Dallas Nine, Dozier and his contemporaries filtered the precepts of European avant-garde movements, including
, into dynamic subject-based works. They painted wide-open spaces, ghost towns, and close encounters with nature. Dozier’s painting technique matured throughout his life, developing from a surrealist-influenced realism of shifting tones, shadows, and extensions of form, to more experimental techniques while attending Colorado Springs Fine Arts Center. He eventually acquired a style characterized by a loose hand, vibrant colors—and in his later works—a move towards abstraction. While often dedicated to translating the buoyant energy of windswept landscapes or animals into visual compositions, Dozier’s painting also reflected more somber subjects, such as displaced families, reflecting the unavoidable climate of a time and place that was marked by periods of hardship, including the Great Drought, the Great Depression, and World War II.