Alberto Biasi’s Delightfully Disorienting, Optically Challenging Art
Biasi was one of the founding members of Gruppo Enne (“N Group,” or “New Group”), one of the first movements of Unlimited Perception” features work from two of his best-known series “Optico-dynamic relief” and “Torsions,” and gives an overview of his artistic development from the 1970s to the present. Encased in wood frames, Biasi’s optically challenging images are realized through layering strips of PVC over dynamic paintings in vibrant colors, causing the forms to appear to change as the viewer shifts their perspective. Vantage point is fundamental to Biasi’s art, although he eschews naturalistic, says Biasi. “It was based on the point of view of man. But for me, reality was far more complex.”
In Biasi’s “Optico-dynamic Relief” series, he creates complex moiré-like patterns by layering strips of colored PVC. Gocce a Sottomarina (1979) figuratively alludes to the ripples made by rain falling on open water, interweaving 15 concentric circles in a grid. As the viewer moves past the image it changes and the ripples become animated and interact with one another. Similar to bas-reliefs by
In circo (2000) is more playful, alternating monochromatic and colored diamonds and circles that revolve around a large central circle, similar to a circus’s main ring. Although much of his work uses a restrained palette, In circo, along with Dinamiche Cangianti (1996) and 8-8 + celeste (1992) display Biasi’s radical use of color, layering hues in glowing unexpected rhythms that expand, contract, and swirl. Like other artists in Gruppo Enne, such as
Like Costa, Biasi employed the unconventional diamond-shaped format for his works, eschewing the traditional rectangular picture plane. Such devices go back at least to
“Unlimited Perception” is on view at De Buck Gallery, New York, Mar. 26–May 2, 2015.
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