In Time for Lunar New Year, Four Artists Take a Hard Look at Chinese Reality

Artsy Editorial
Feb 25, 2015 12:00AM

Yesterday marked the Chinese Lunar New Year—the beginning of the Year of the Sheep (or Goat, depending on who you ask.) It’s a fitting moment for de Sarthe Gallery to exhibit the work of four boundary-pushing contemporary Chinese artists at its brand-new space in Beijing.

Installation view of Lin Jinging, Public Memory 2, 2013, courtesy of de Sarthe Gallery

Installation view of “You, I, Among us” courtesy of de Sarthe Gallery


The artists—Lin Jingjing, Wang Guofeng, Zhou Wendou, and Ma Sibo—work in a range of mediums, including photography, painting, and installation. What brings them together in de Sarthe’s group show, “You, I, Among us,” is a shared impulse to challenge social norms and raise questions about current events, politics, the environment, pop culture, consumerism, and the intersection between public and private spheres.

It goes without saying that contemporary China, vast and quickly changing, is a complicated place for outsiders to understand. In “You, I, Among us,” the artists suggest that the social and political landscape isn’t easily comprehensible from an insider’s perspective, either. In her “Public Memory” series, for instance, Lin Jingjing subverts images of familiar figures—police officers, politicians, schoolchildren in uniform—to pose questions about power, numbness, and the nation’s troubled human rights record.

Wang Guofeng, too, transmits a sense of social chaos with his “Memory” series, in which he fuses the still frames of historical documentaries to create abstract visual images. “Whether history is still meaningful,” the artist writes, “becomes a question when its authenticity has turned vague, distorted or subjectified, abstracted.”

Zhou Wendou also took inspiration from the past, specifically in older ways of thinking that remain deeply ingrained in Chinese culture. His “Diamond Dreams” installation, set in a dark room, is a reference to a Chinese saying: “Touch stone and turn it into gold.” Neon forms built around each stone bathe the rock face in blue, white, or red light and create an ethereal effect. However, the work explicitly highlights reality, what one might call the overarching theme of “You, I, Among us” itself. The stone isn’t gold, Zhou seems to be pointing out—it’s still just a stone. 

Bridget Gleeson

You, I, Among us” is on view at de Sarthe Gallery, Beijing, Dec. 18th, 2014 - Mar. 15th, 2015. 

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Installation view of Lin Jinging, Public Memory 2, 2013, courtesy of de Sarthe Gallery.

Installation views of “You, I, Among us” courtesy of de Sarthe Gallery.

Artsy Editorial