Between
’s monumental shuttlecocks,
’s huge
folding
chairs, and Jeff Koons’ giant
balloon
animals, leading contemporary
artists have proven that recreating everyday objects on a grand scale makes for
compelling art. Rómulo Celdrán and his
bottle caps, ice cube trays, and hot water
bottles join these illustrious ranks this week, with the Spanish artist’s
first solo
show in the United States, at
Hasted Kraeutler.
Celdrán
cites “the world of objects” as his main inspiration,
and recognizes canonical works by
Oldenburg as key referents. He’s careful to set himself apart though; in
his words, “I tried to create my own vision of reality,
based on one hand on a personal collection of objects and on the other, on a
meticulously realistic analysis of those fragments of reality, as a contrast to
Oldenburg’s ‘pop’ proposal.” Celdrán
beckons the viewer to notice details that would otherwise go unseen in both
series on view—“Macro,” large-scale sculptures, and “Zoom,” two-dimensional
works—which are complementary in their shared focus on household items,
calculated creation processes, and a microscopic vision of objects.
While Celdrán’s subjects
have been
described as “common and mundane,” his works are anything
but. His pencil-and-acrylic “Zoom” series distills light bulbs, orange slices,
and pencil shavings to black-and-white compositions, with such incredible
detail that the naked eye has a hard time detecting whether each is a
photograph or not. His sculptures are similarly painstaking; a polychromed
cardboard ice cube tray is conscientiously adorned with water droplets; a
polyurethane hot water bottle slouches perfectly against a wall; and a row of
pink and blue clothespins are clamped together suggesting actual functionality.
The entire “Macro” series, each with the artist’s “Romcel” logo incorporated
perfectly, could easily fool a small child into thinking they've been
transported into a giant world, or miniaturized in this one.
“Rómulo
Celdrán” is on view at Hasted
Kraeutler, New York, Feb. 13th–April 12th, 2014.