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Textured Dreams Cast in Paint and Gel: New Works by Sanjay Vora
works in layers. Inspired by music, memories, and, recently,
dreams, he gathers inspiration and translates it into vibrant swathes of oil
paint, depicting serene beach scenes or a landscape that edges into
abstraction. These visual underpinnings are made in secret, seen only by the
artist himself, before they disappear behind a thick application of a gel medium. The final layer is a reductive one, born from a painstaking process of
removing this coating, leaving behind tiny notches
and thin stripes, which together form a reverberating network of texture and
pattern. Finished works emote a sense of calm and nostalgia, prompting longing
for moments of tranquility, a quiet natural oasis, or the perfect seafoam
ocean.
From afar, Vora’s works might visually recall the stippling
effect so masterfully executed by Impressionist painters and . They differ,
though, in the pervasive tactility achieved through the artist’s manifold
technique, particularly the final layer. “The
covering veil is a marker of time, a gritty representation of the present, and
ultimately a residue, left by the repeated act of retrieval,” Vora explains. While the artist began this technique using photographs from childhood
and real experiences as his subjects—with the uppermost layer functioning as a barrier
between past and present—his recent works delve into dreams, rather than
memory. From the peaceful white forest in Snowy Woods to the bikini clad
female walking into water in Arise, Vora draws the viewer into his
visions. Now, instead of looking back to the past, Vora’s tableaux hang in the
present, in the mystifying balance between reality and the mind of the artist.
“Sanjay Vora: Memories of Dreams” is on view at Gallery Bergelli, Larkspur, CA, May 24th–June 26th, 2014.
