Transcending the curse of overhype, Jessica Silverman’s much-talked-about booth
at NADA Miami proves there’s a reason her own white cube became a hotspot of the Deauville Beach Resort. Among a selection of work that deals with the practice of image making—looking closely at color, pattern, texture, and materials—photographer
combines personal history with the history of photography in his collaged “Library of Photography” series;
fuses the optical with the tactile in wall-mounted lenticular lenses; and cyanotypes by
, produced in 1974, offer some of the contemporary photographer’s earliest works.