gallerist Catherine Ahnell
it her mission to give young international artists—many with a slick, urban
sensibility—a chance to show their work
in New York. This August, she turned over her gallery to
, a member of the French underground art collective 1984, who
creates sophisticated, three-dimensional installations in public spaces and
abandoned buildings around the world. The result of his residency, “The Box,”
opens at Catherine Ahnell Gallery on September 10th.
SAMBRE has previously created
elaborate wooden installations in locations like Paris’s Bains Douches and a
burnt-down Norwegian embassy in Siberia, taking dilapidated buildings and
turning them into awe-inspiring artistic showcases. Like a 21st-century
, he transforms
these derelict spaces by cutting directly into walls and ceilings or adding
complex wooden structures that seem to emerge as if from the buildings’
material itself. The raw wood makes a particularly poignant statement against
the urban environments in which he usually works.
“The question of
the place of an individual in society is something I really care about.
Nowadays, humans have become an urban animal. We’re getting closer to the
machine and the machine is getting closer to us,” SAMBRE has said
of his motivations. The
artist attributes his interest in such relationships in part to his youth.
Raised in the French countryside by farmer parents and trained as a carpenter,
he finds inspiration for his creations in traditional half-timbered houses and
the architecture of Orleans.
exhibition at Catherine Ahnell Gallery, SAMBRE has created three-dimensional
wooden reliefs—collages of cutout plywood and wooden palettes—which will be
layered throughout the space, highlighting the natural richness of color and
texture in his chosen material. Though these particular materials undeniably
have industrial uses, they still retain organic irregularities, which allow the
artist to bring a bit of nature’s unpredictability and warmth into the
controlled urban environment of the gallery.
SAMBRE's installation in progress at Catherine Ahnell Gallery, August 2014.
Courtesy of Catherine Ahnell Gallery.
The Box” is on view at Catherine Ahnell Gallery, New York, Sept. 10 – Oct. 31, 2014