Forget the midwestern references in clever gallery names—think KANSAS and Super Dakota—the real gem hailing from the region is artist Kika Karadi, who works from a studio in, of all places, a shopping mall in Minnesota. Her monochromatic large-scale works are actually traces of other paintings. Painting on glass and then stamping the image onto linen, Karadi imprints the flat image that looks near mechanically reproduced. The steps of production are divulged in the remnants of tape, cardboard, and paper as she uses razor blades to wipe away paint and to create momentary traces of the past work.