Finland at 55th Biennale di Venezia. June 1st - November 24th 2013

Finnish Pavilion At the 55th Venice Biennale
May 21, 2013 6:28PM

Artists and Venues: Terike Haapoja at the Nordic Pavilion and Antti Laitinen at the Finnish Alvar Aalto Pavilion

Exhibition title: Falling Trees

Curators: Gruppo 111 (Mika Elo, Marko Karo, Harri Laakso)

1 June - 24 November 2013

Opening: Wednesday 29 May 3 pm at the Nordic Pavilion 

Falling Trees, the most extensive Finnish exhibition yet, will be presented in Venice

Finland is participating with an exceptionally extensive exhibition in the 55th International Art Exhibition – La Biennale di Venezia that opens on 1 June. Falling Trees, curated by the Gruppo 111 collective (Mika Elo, Marko Karo and Harri Laakso), combines the solo exhibitions of the Finnish artists Terike Haapoja and Antti Laitinen into a garden-like whole, which takes over both the Nordic Pavilion and the Finnish Alvar Aalto Pavilion. 

The exhibition Falling Trees has gained its name and its conceptual starting point from an unexpected event at Biennale Arte of 2011, when a large tree fell on the Aalto Pavilion, shattering it and cutting short the exhibition on display at the time. 

Terike Haapoja will transform the Nordic Pavilion into a research laboratory, where technology and science find their place as tools for investigating the basic questions of life and art –memory, our relationship with nature, and mortality

In her central work Community, we can see animals that have just passed away, a horse, a cat, a calf, a dog, and a bird, each one recorded on infrared video. The images show the inexorable loss of temperature gradient across the body surface: colorful life fades away in front of our eyes and vanishes into the deep blue background. Islands of living matter drown into the entropic sea. What kind of community is this? Are we part of it? How does it demarcate its territory?

Antti Laitinen will bring to the Aalto Pavilion a body of works consisting of videos and photographs, installations, and performance, where uncompromising conceptuality and absurd humour meet on the stage created by Finnish nature. 

On the centre stage is his new photographic triptych entitled Forest Square (2013). The work is rooted – literally, in this case – in 100 square metres of forest: after Laitinen had felled the trees and torn out their roots from the ground, he removed the covering layer of soil from the area. After this, he started to sort the materials into their constituent parts and finally to rearrange the material into a carefully assembled composition to be photographed. 

The sorted forest looks like a colour composition and takes exactly one hundred square metres of space, just like the original patch of forest. 

Finnish Pavilion At the 55th Venice Biennale
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Jenna Gribbon, Luncheon on the grass, a recurring dream, 2020. Jenna Gribbon, April studio, parting glance, 2021. Jenna Gribbon, Silver Tongue, 2019