The Impossibility of Utopia
SANTIAGO, Chile — In Chile, things are happening. On the one hand, there’s a group of artists (born in the late seventies and early eighties) travelling outside the country but, for the first time, regulary returning and mounting exhibitions inside the borders. On the other hand, the younger artists, born in the mid and late eighties, are developing a consistent and brave concept of work, blowing fresh air into this remote art world. Many of them are creating very political art, fed more by the current government of President Sebastián Piñera than by the past repressive military government, whose shadow is still visible.
Image: Camila Ramirez, “Community Chair” (2012), modified school chair