Argentina: Guillermo Srodek-Hart

Latin American Pavilion at the 55th Venice Biennale
May 24, 2013 10:30PM

Exploring the rural surroundings of Buenos Aires, Guillermo Srodek-Hart (Argentina) used his camera to capture the interior of old commercial establishments. Butcher’s shops, bars, bicycle repair shops and dry cleaners were photographed in the manner of a still life, thus devotionally consecrating objects intended for consumption to an unalterable condition. For many of these places, the record made by Srodek-Hart was the last depiction of a disappearing world. Without changing a single item in the scene, Srodek-Hart installed his plate camera and hid behind a black drape in order to compose the picture and focus the camera. During the long exposure, it seemed as though time stood still. Despite the fact that neither the owners nor any of their customers appear in them, the photographs capture traces of a human presence reflected in the organization of the objects and in the manner of the work we can imagine taking place in each of the sites. These photographs express both visible and invisible elements and, ultimately, operate as a kind of vanitas, in which the imminent extinction of these old shops reminds us of the transitory nature of all existence in this world. 

Carpintería Colonna, 2009, courtesy of the artist.

Latin American Pavilion at the 55th Venice Biennale
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