Eliel Saarinen – Master of Harmony

Modernity
Oct 4, 2018 3:04PM

Eliel Saarinen (1873-1950), father of Eero Saarinen, was the leading architect of the Finnish romantic style in his native country in the early 20th Century.

Eliel Saarinen, Group of furniture for the Munksnäs Hotel, 1907. Modernity.

Saarinen studied painting and architecture at Helsinki University and established an architecture practice in his last year of school with classmates Herman Gesellius and Armas Lindgren. Together they created the Finnish pavilion for the 1900 World Fair in Paris, which exhibited an extraordinary convergence of stylistic influences: Finnish wooden architecture, the British Gothic Revival, and the Jugendstil. Working in the art nouveau- inspired Scandinavian romantic style, they also designed the Finnish National Museum in Helsinki, as well as Saarinen's own home near Helsinki, around 1901, and the Helsinki train station, around 1906.

Eliel Saarinen
Set of dining chairs for Keirkner residence, Helsinki, 1907
Modernity

Eliel Saarinen's design for the Chicago Tribune Tower.

For each of these commissions Saarinen would also design furniture and sometimes even rugs. Some of his most famous pieces from this period are the "Hannes" chair from 1908 with a decorative mahogany inlay, and the 1910 "White" armchair. In 1922 Saarinen received a small windfall of money for his second prize-winning entry to the contest to design the Chicago Tribune Tower and he moved to the States with his wife Loja, a textile designer and the sister of his partner Gesellius, and Eero.

Eliel Saarinen
Table, 1907
Modernity
Eliel Saarinen
Sofa, 1907
Modernity
Eliel Saarinen
Set of four chairs, 1907
Modernity

Modernity is particularly proud to have added a group of furniture by Eliel Saarinen to its collection. The sofa, armchairs and table were made to furnish the suites at the Munksnäs hotel, a highly appreciated retreat for the Helsinki elite.The chairs were a generic design, which Saarinen was fond of, and which he re-worked often. Modernity has sold the table and both sets of chairs, but still has the sofa in their collection. This item is not to be missed.

Modernity