LITA ALBUQUERQUE | EXPLODED
Installation View (From Left): Lita Albuquerque, How Big is the Star Field, 2018, Pigment on Panel, White Gold Leaf on Resin, 60 x 60 inches; Ascension, 2018, Pigment on Panel, 24K Gold Leaf on Resin, 60 x 60 inches; Bleu Celeste, 2018, Pigment on Panel, White Gold Leaf on Resin, 60 x 60 inches; and Like Vapors, 2018, Pigment on Panel, 24K Gold Leaf on Resin, Peter Blake Gallery
Peter Blake Gallery is pleased to present an exhibition of new work by Lita Albuquerque, EXPLODED. This marks the artist’s fourth exhibition with the gallery.
Installation View: Lita Albuquerque, The Lights Inside It, 2018, Pigment on Panel, 24K Gold Leaf on Resin, 84 x 84 inches, Peter Blake Gallery
Continuing her investigation into painting, the works included in EXPLODED mark a new direction in color for Albuquerque. Colors not previously seen in this series of paintings are suddenly present. To call this a new direction in her painting would be accurate but upon closer inspection of the artists career, these colors are found in some of her earliest works, namely the rock and pigment installations she executed in the 1970s and 80s in the Mojave Desert and early installation work both in her Los Angeles studios and in exhibitions. These paintings conjure cosmic visions of time, space and light achieved through form, material and color. Layer upon layer of pigment finds itself suspended and stacked, minutely forming a surface that deceives depth and tricks focus. Concave gold-leafed resin discs echo an ancient form that receive as much as they offer. Albuquerque employs scale and color to take the viewer on a perceptual and psychological journey. For an artist who moves fluidly from performance work to site-specific installations in extreme environments, from sculpture to painting, and most recently her exploration into film – to find her injecting new elements into these paintings is not surprising. What is surprising is Albuquerque’s continuing sense of wonder and optimism. We rely on artists to help us make sense of the world, to show us beauty, to do the hard work of reflecting, looking and making. We also ask that artists take us out of our own reality. It is here where Albuquerque succeeds.
Installation View (From Left): Lita Albuquerque, Crystal Violet Coding, 2018, Pigment on Panel, White Gold Leaf on Resin, 30 x 30 inches; Metallic Ascent, 2018, Pigment on Panel, White Gold Leaf on Resin, 42 x 42 inches; and Crystal Violet Current, 2018, Pigment on Panel, White Gold Leaf on Resin, 30 x 30 inches, Peter Blake Gallery
Installation View (From Left): Lita Albuquerque, Atmospheric Temperature, 2018, Pigment on Panel, White Gold Leaf on Resin, 30 x 30 inches; Cobalt Light Signature, 2018, Pigment on Panel, 24K Gold Leaf on Resin, 30 x 30 inches; and Sentient Solar Vapor, 2018, Pigment on Panel, 24K Gold Leaf on Resin, 30 x 30 inches, Peter Blake Gallery
Albuquerque’s practice, beginning with her early work in deserts in the 1970s, has long been associated with movements such as Light and Space and Land Art. Her singular vision takes her outside of any such categorization, making her a unique voice among not only her generation but also the history of art. Albuquerque’s work is in the collections of The Whitney Museum of American Art, The Getty, LACMA, MOCA and The Metropolitan Museum of Art. She recently participated in the inaugural DesertX exhibition in the Coachella Valley and the Land Art bienniale, Art Safiental, in Tenna, Switzerland. EXPLODED was on view through November 4.
Lita Albuquerque's solo exhibition was on view at Peter Blake Gallery, Laguna Beach, California, from September 15th to November 4th, 2018