Before her much-anticipated 2015 solo show had even opened at her Chelsea gallery, Mitchell-Innes and Nash, those who got a sneak peak were comparing her new works to Albert Oehlen and other predominately male artists who make references to digital marks in their canvases. Yet, as Martha Schwendener described in her review of the show for The New York Times," Ms. Ferris remakes the digital in supremely analog form." She continues, "What might read from afar (or in photographs) as pixels are, close up, thick rectangles of paint applied with a flat-ended brush. These marks distinctly recall the pointillism of Seurat and Signac, as well as the synthetic vision of Impressionism: When you step back from the canvas, the image snaps into focus."