How Liza Lou and Her Collective of Zulu Bead-Workers Have Perfected the Art of Painting with Glass

Artsy Editorial
Jan 12, 2015 8:14PM

To many, the name Liza Lou conjures images of the artist’s beaded work Kitchen from 1996, an elaborately embellished domestic space exploding with kitschy color. With that piece in mind, her latest work, currently on view at London’s White Cube in the exhibition “Solid / Divide,” might seem like a stark departure. The pieces on display recall minimalist, color field canvases, but these new, beaded “paintings” reward the eye with an equal amount of visual variety as her earlier work—if one takes the time to look closely.

Gild Amber / Divide, 2012-2014
White Cube
Carbon Gunmetal / Divide, 2012-2014
White Cube

Since founding a collective with Zulu bead-workers in South Africa a decade ago, the artist has created these compositions in collaboration with a community of female artisans. Together they work on the incredibly time-consuming process of beading canvases, creating surfaces  with subtle variations in color that recall pixelated moire patterns or snakeskin. 

Artsy Editorial
Get the Artsy app
Download on the App StoreGet it on Google Play
Jenna Gribbon, Luncheon on the grass, a recurring dream, 2020. Jenna Gribbon, April studio, parting glance, 2021. Jenna Gribbon, Silver Tongue, 2019