Richard Pousette-Dart opening at Pace Gallery
November 7, 2014 through January 10, 2015
is pleased to present its first exhibition of work by Richard
Pousette-Dart. The exhibition will feature twelve paintings and ten
works on paper examining the artist's use of geometric imagery from the
late 1960s through the mid-1980s. To accompany the exhibition, Pace will
publish a catalogue featuring a new essay by critic Alex Bacon,
quotations from the artist's notebooks and excerpts of scholarly texts
by Robert Hobbs, Sam Hunter, Carter Ratcliff, Barbara Rose, Philip
Rylands, Martica Sawin, Lowery Stokes Sims and Robert Storr.
The exhibition focuses on this period of Pousette-Dart's work and attests to his lifelong and unflinching belief in art as a vital force of life. He wrote of his art as "a quest for reality; not the obvious surface reality of outer forms but the related continuing realities of all the sights and sounds, sensations, dreams, memories...the intuitive visions that are part of the daily life of all of us."
The exhibition explores Pousette-Dart's use of geometric imagery, in particular the rectangle and the circle, which he believed to be universal symbols of cosmic forces. Pousette-Dart applied his paint in impasto points, creating thick layers over several applications. This technique rendered his forms with a "dynamic edge of creation" or "trembling edge of awareness." "In Pousette-Dart's mind the edge is more than the formal fact of the separation between forms within a painting," wrote Lowery Stokes Sims. "It is a metaphor for the boundaries, the fragile point of balance, between opposites, which are mutable and in constant flux."
The constellation of gestures in Pousette-Dart's paintings—what he called presences—generated what he viewed as the works' transcendental potential. "Art reveals the significant life, beauty of all forms—it uplifts, transforms it into the exalted realm of reality wherein its pure contemplative poetic being takes place—wherein art's transcendental language of form, spirit, harmony means one universal eternal presence," he wrote.
The exhibition will be on view at Pace Gallery, 510 West 25th Street, New York, NY from November 7, 2014 through January 10, 2015.