First Look at the Installation: Vadim Zakharov

Russian Pavilion at the 55th Venice Biennale
May 31, 2013 6:46PM

“The installation has two points for viewing—from above and from below (in the central hall of the Pavilion a large square hole has been made in the ceiling of the lower exhibition space, and an altar rail with cushions for kneeling has been built on the upper floor, around the hole). Kneeling and looking down, we can grasp and feel that we are present at a unique process of materialization of the myth. Through the huge hole in the floor, we fall into another semantic and poetic space, into which golden coins fly from a pyramid ceiling. Below we see women with umbrellas, which protect them from being struck by the coins. The lower hall can only be visited by women. This is not sexism but merely follows the logic of the anatomical construction of the myth. What is masculine can only fall inside from above, in the form of golden rain. The lower level of the Pavilion is a “cave womb,” keeping tranquility, knowledge, and memory intact.”— Vadim Zakharov 


Photographs by Alex John Beck for Artsy

Russian Pavilion at the 55th Venice Biennale