My Highlights from miart 2014
I never buy any works at art fairs by artists I do not know. My selection includes only works by artists whose practice I have been following already. The pieces are very different and the artists practices as well; the only element I can say could be common to all is that they are all quite humble works linked to ideas, processes, and performances beyond the object itself, therefore not so self-absorbed and self-indulging.
Josef Strau, Model for the Reconstruction of the Abominable House, 2014, at Vilma Gold
Julia Wachtel, Untitled (blue donkey), 1994, at Vilma Gold