Athar Jaber at Art Miami 2018

Waterhouse & Dodd
Dec 4, 2018 4:46AM

Waterhouse & Dodd is proud to present recent sculptures by contemporary artist Athar Jaber at Art Miami December 4 - December 9, 2018.

Athar Jaber
Marble Head - Opus 5 Nr. 2, 2015
Waterhouse & Dodd

Iraqi-Dutch artist Athar Jaber is one of the most visionary and talented artists working with marble today. His beautifully hand-carved carrara marble pieces combine classical skill with an abstracted contemporary vision of the human form. In his work, Jaber explores contrasting conditions between beauty and destruction, the past and the present, idealism and imperfection – the very essences of the human condition. His work has been shown in galleries and museums worldwide, with his most recent solo show opening at the National Museum of Fine Arts in Havana, Cuba this November. Waterhouse & Dodd is pleased to be presenting Jaber’s work for the first time at Art Miami and representing select works in their New York gallery. Please join us at Booth 516, to see recent works and meet the artist who will be flying in from Europe.

Athar Jaber is available for interviews in person December 4th – 6th, or by phone or email. For more information please contact the gallery at (212) 717-9100 or email to: [email protected]

ABOUT THE ARTIST

ATHAR JABER Iraqi-Dutch (b. 1982) Athar Jaber is one of the most visionary and talented artists working with marble today. Born from Iraqi parents, Jaber grew up between Rome, Florence, The Netherlands and Antwerp. The transience of his younger years and exposure to various cultures helped foster a sense of belonging that went well beyond the geographical borders of his youth, creating a desire in Jaber to outline a common human experience across cultures and time. This notion ultimately helped shape the framework for his artistic practice today. In his work, Athar Jaber explores contrasting conditions between beauty and destruction, the past and the present, idealism and imperfection – the very essences of the human condition. He cites the impact of having grown up with images of the Gulf War as a significant influence on the early direction of his work. Themes such as suffering and violence inevitably found their way into his creations. However, growing up in Florence also had a great impact on Jaber’s artistic vision. Surrounded by great classical marble sculpture throughout the city, Jaber developed a deep appreciation and strong understanding of it and the quest for ideal beauty. Reinterpreting this quest for ideal beauty, the artist utilizes various tools and techniques. After carefully selecting the marble or stone to work with, he then employs various treatments such as burning, dropping, dragging, acid, sandblasting and even shooting with a gun to re-enact or re- create the experience and erosion that happens to an object over time. Jaber expertly hand carves his sculptures over lengths of time, in some cases for several years, alternating between classical features and fragmented, scarred, and beaten surfaces, preferring the human touch of the chisel over technology to make his marks. The contradictory nature of the works is both visual and emotional. The viewer is instantly aware of beautiful forms and the skilled handling of the marble, yet there is an inherent feeling of unease with the fragmented figures; one may easily find references to a Michelangelo entangled with those of the ruins of Palmyra in the same piece. And while violence may be one association in Jaber’s work, this is an element which has always been a part of our collective experience throughout time. Decay and destruction underlie the beauty and fragility of the forms, their presence a reminder of the ultimate universal myth – yin and yang, good versus evil – that one cannot exist without the other. In this way Athar Jaber’s sculptures present a most contemporary, yet timeless, rendition of the human condition. Recent solo exhibitions include Where Pain Becomes Beauty (Palazzo Medici-Riccardi, Florence, 2015) and Works (Galerie Lohrl, Monchengladbach, 2016), while group shows include The Curated Space (Mall Galleries, London, 2016), 100 Masterpieces of Modern and Contemporary Arab Art (Institute du Monde Arabe, Paris, 2017), Jerusalem Lives (The Palestinian Museum, Birzeit, 2017).

A solo exhibition of the artist’s work Offerings, is on view at the Museo Nacional de Bellas Artes in Havana, Cuba, November 9, 2018 – January 14, 2019.

He currently lives and works in Belgium and is Professor of Sculpture at the Royal Academy of Fine Arts in Antwerp.

15 East 76 th Street 47 Albemarle Street New York, NY 10021

+1 212 717 9100

[email protected]

London WIS 4JW

+44 20 7734 7800

[email protected]

www.waterhousedodd.com

Waterhouse & Dodd