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Francisco de Goya
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Series

Bullfighting

46 works
Bullfighting
Series
Bullfighting

Bullfighting

Francisco de Goya
•
Francisco de Goya, ‘El Esforzado Rendon Picando un Toro, de Cuya Suerte Murio en la Plaza de Madrid’, 1816
Francisco de Goya
El Esforzado Rendon Picando un Toro, de Cuya Suerte Murio en la Plaza de Madrid, 1816
Heather James Fine Art Gallery Auction
Bidding closed
Francisco de Goya, ‘A group of 3 prints including Tan bárbara la Seguridad come el Delito ('The Little Prisoner'), c. 1820; Dios se lo pague a usted ('Blind Man tossed on the Horns of a Bull'), c. 1800-1808; and Al Toro y al Aire Darles Calle (Lluvia de Toros) c. 1824’
Francisco de Goya
A group of 3 prints including Tan bárbara la Seguridad come el Delito ('The Little Prisoner'), c. 1820; Dios se lo pague a usted ('Blind Man tossed on the Horns of a Bull'), c. 1800-1808; and Al Toro y al Aire Darles Calle (Lluvia de Toros) c. 1824
Hindman
Bidding closed
Francisco de Goya, ‘Al Toro y al Aire Darles Calle (Lluvia de Toros), from 'Los Proverbios'’, circa 1824
Francisco de Goya
Al Toro y al Aire Darles Calle (Lluvia de Toros), from 'Los Proverbios', circa 1824
Forum Auctions
Bidding closed
Francisco de Goya
Disparate de tontos [or Toritos] [Fools’—or Little Bulls’—Folly], 1816-1819
"Goya: Mad Reason" at Blanton Museum of Art, Austin
Francisco de Goya
Cogida de un moro estando en la plaza [A Moor Caught by the Bull in the Ring], plate 8, 1815-1816
"Goya: Mad Reason" at Blanton Museum of Art, Austin
Francisco de Goya
The same man throws a bull in the ring at Madrid, 1815-1816
Manet's Goya, Prints at Statens Museum for Kunst
Francisco de Goya
Dreadful events in the front rows of the ring at Madrid and the death of the mayor of Torrejon (La Tauromaquia, 21), 1815-1816
Manet's Goya, Prints at Statens Museum for Kunst
Francisco de Goya
Another madness of his in the same ring, 1815-1816
Manet's Goya, Prints at Statens Museum for Kunst
Francisco de Goya
A Moor Caught by the Bull... from La Tauromaquia, 1816
Phillips Collection
Francisco de Goya
Bullfight, Suerte de Varas, 1824
J. Paul Getty Museum
Permanent collection
Francisco de Goya
Modo con que los antiguos Espanoles cazaban los toros a caballo en el campo (The Way in which the Ancient Spaniards Hunted Bulls on Horseback in the Open Country), in or before 1816
National Gallery of Art, Washington D.C.
Permanent collection
Francisco de Goya
El mismo Ceballos montado sobre otro toro quiebra rejones en la plaza de Madrid (The Same Ceballos Mounted on Another Bull Breaks Short Spears in the Ring at Madrid), in or before 1816
National Gallery of Art, Washington D.C.
Permanent collection
Francisco de Goya
El diestrisimo estudiante de Falces, embozadoburla al toro con sus quiebros (The Very Skillful Student of Falces, Wrapped in His Cape, Tricks the Bull with the Play of His Body), in or before 1816
National Gallery of Art, Washington D.C.
Permanent collection
Francisco de Goya
Mariano Ceballos, alias el Indio, mata el toro desde su caballo (Mariano Ceballos, Alias the Indian, Kills the Bull from His Horse), in or before 1816
National Gallery of Art, Washington D.C.
Permanent collection
Francisco de Goya
Pedro Romero matando a toro parado (Pedro Romero Killing the Halted Bull), in or before 1816
National Gallery of Art, Washington D.C.
Permanent collection
Francisco de Goya
El esforzado Rendon picando un toro, de cuya suerte murio en plaza de Madrid (The Forceful Rendon Stabs a Bull with the Pique, from Which Pass He Died in the Ring at Madrid), in or before 1816
National Gallery of Art, Washington D.C.
Permanent collection
Francisco de Goya, ‘Al Toro y al Aire Darles Calle (Lluvia de Toros), from: 'Los Proverbios'’, circa 1824
Francisco de Goya
Al Toro y al Aire Darles Calle (Lluvia de Toros), from: 'Los Proverbios', circa 1824
Forum Auctions
Bidding closed
Francisco de Goya, ‘El Esforzado Rendon Picando un Toro, de Cuya Suerte Murio en la Plaza de Madrid’, 1816
Francisco de Goya
El Esforzado Rendon Picando un Toro, de Cuya Suerte Murio en la Plaza de Madrid, 1816
Heather James Fine Art Gallery Auction
Bidding closed
Francisco de Goya, ‘Un Caballero en Plaza Quebrando un Rejoncillo con Ayuda de un Chulo’, 1816
Francisco de Goya
Un Caballero en Plaza Quebrando un Rejoncillo con Ayuda de un Chulo, 1816
Skinner
Bidding closed
Francisco de Goya
Carlos V lanceando un toro en la plaza de Valladolid [Charles V Spearing a Bull in the Ring at Valladolid], plate 10 , 1815-1816
"Goya: Mad Reason" at Blanton Museum of Art, Austin
Francisco de Goya
El animoso moro Gazul es el primero que lanceó toros en regla [The Spirited Moor Gazul Is the First to Spear Bulls According to the Rules], plate 5, 1815-1816
"Goya: Mad Reason" at Blanton Museum of Art, Austin
Francisco de Goya
Ferdinand VII in Court Dress, 1814-1815
"Goya: The Portraits" at The National Gallery, London
Francisco de Goya
They Play Another with the Cape... from L, 1816
Phillips Collection
Francisco de Goya
Charles Quint Lançant Un Taureau
Phillips Collection
Francisco de Goya
Los moros establecidos en Espana, prescindiendo de las supersticiones de su Alcoran, adoptaron esta caza y arte, y lancean un toro en el campo (The Moors Settled in Spain, Giving up the Superstitions of the Koran, Adopted This Art of Hunting, and Spear a Bull in the Open), in or before 1816
National Gallery of Art, Washington D.C.
Permanent collection
Francisco de Goya
Los Moros hacen otro capeo en plaza con su albornoz (The Moors Make a Different Play in the Ring Calling the Bull with Their Burnous), in or before 1816
National Gallery of Art, Washington D.C.
Permanent collection
Francisco de Goya
La Tauromaquia (The Bullfight), published 1816
National Gallery of Art, Washington D.C.
Permanent collection
Francisco de Goya
El Cid Campeador lanceando otro toro (The Cid Campeador Spearing Another Bull), in or before 1816
National Gallery of Art, Washington D.C.
Permanent collection
Francisco de Goya
Echan perros al toro (They Loose Dogs on the Bull), in or before 1816
National Gallery of Art, Washington D.C.
Permanent collection
Francisco de Goya
Picador Caught by a Bull, 1825
National Gallery of Art, Washington D.C.
Permanent collection
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Francisco de Goya, ‘El Esforzado Rendon Picando un Toro, de Cuya Suerte Murio en la Plaza de Madrid’, 1816
Francisco de Goya
El Esforzado Rendon Picando un Toro, de Cuya Suerte Murio en la Plaza de Madrid, 1816
Heather James Fine Art Gallery Auction
Bidding closed
Francisco de Goya, ‘A group of 3 prints including Tan bárbara la Seguridad come el Delito ('The Little Prisoner'), c. 1820; Dios se lo pague a usted ('Blind Man tossed on the Horns of a Bull'), c. 1800-1808; and Al Toro y al Aire Darles Calle (Lluvia de Toros) c. 1824’
Francisco de Goya
A group of 3 prints including Tan bárbara la Seguridad come el Delito ('The Little Prisoner'), c. 1820; Dios se lo pague a usted ('Blind Man tossed on the Horns of a Bull'), c. 1800-1808; and Al Toro y al Aire Darles Calle (Lluvia de Toros) c. 1824
Hindman
Bidding closed
Francisco de Goya, ‘Al Toro y al Aire Darles Calle (Lluvia de Toros), from 'Los Proverbios'’, circa 1824
Francisco de Goya
Al Toro y al Aire Darles Calle (Lluvia de Toros), from 'Los Proverbios', circa 1824
Forum Auctions
Bidding closed
Francisco de Goya
Disparate de tontos [or Toritos] [Fools’—or Little Bulls’—Folly], 1816-1819
"Goya: Mad Reason" at Blanton Museum of Art, Austin
Francisco de Goya
Cogida de un moro estando en la plaza [A Moor Caught by the Bull in the Ring], plate 8, 1815-1816
"Goya: Mad Reason" at Blanton Museum of Art, Austin
Francisco de Goya
The same man throws a bull in the ring at Madrid, 1815-1816
Manet's Goya, Prints at Statens Museum for Kunst
Francisco de Goya
Dreadful events in the front rows of the ring at Madrid and the death of the mayor of Torrejon (La Tauromaquia, 21), 1815-1816
Manet's Goya, Prints at Statens Museum for Kunst
Francisco de Goya
Another madness of his in the same ring, 1815-1816
Manet's Goya, Prints at Statens Museum for Kunst
Francisco de Goya
A Moor Caught by the Bull... from La Tauromaquia, 1816
Phillips Collection
Francisco de Goya
Bullfight, Suerte de Varas, 1824
J. Paul Getty Museum
Permanent collection
Francisco de Goya
Modo con que los antiguos Espanoles cazaban los toros a caballo en el campo (The Way in which the Ancient Spaniards Hunted Bulls on Horseback in the Open Country), in or before 1816
National Gallery of Art, Washington D.C.
Permanent collection
Francisco de Goya
El mismo Ceballos montado sobre otro toro quiebra rejones en la plaza de Madrid (The Same Ceballos Mounted on Another Bull Breaks Short Spears in the Ring at Madrid), in or before 1816
National Gallery of Art, Washington D.C.
Permanent collection
Francisco de Goya
El diestrisimo estudiante de Falces, embozadoburla al toro con sus quiebros (The Very Skillful Student of Falces, Wrapped in His Cape, Tricks the Bull with the Play of His Body), in or before 1816
National Gallery of Art, Washington D.C.
Permanent collection
Francisco de Goya
Mariano Ceballos, alias el Indio, mata el toro desde su caballo (Mariano Ceballos, Alias the Indian, Kills the Bull from His Horse), in or before 1816
National Gallery of Art, Washington D.C.
Permanent collection
Francisco de Goya
Pedro Romero matando a toro parado (Pedro Romero Killing the Halted Bull), in or before 1816
National Gallery of Art, Washington D.C.
Permanent collection
Francisco de Goya
El esforzado Rendon picando un toro, de cuya suerte murio en plaza de Madrid (The Forceful Rendon Stabs a Bull with the Pique, from Which Pass He Died in the Ring at Madrid), in or before 1816
National Gallery of Art, Washington D.C.
Permanent collection
Francisco de Goya, ‘Al Toro y al Aire Darles Calle (Lluvia de Toros), from: 'Los Proverbios'’, circa 1824
Francisco de Goya
Al Toro y al Aire Darles Calle (Lluvia de Toros), from: 'Los Proverbios', circa 1824
Forum Auctions
Bidding closed
Francisco de Goya, ‘El Esforzado Rendon Picando un Toro, de Cuya Suerte Murio en la Plaza de Madrid’, 1816
Francisco de Goya
El Esforzado Rendon Picando un Toro, de Cuya Suerte Murio en la Plaza de Madrid, 1816
Heather James Fine Art Gallery Auction
Bidding closed
Francisco de Goya, ‘Un Caballero en Plaza Quebrando un Rejoncillo con Ayuda de un Chulo’, 1816
Francisco de Goya
Un Caballero en Plaza Quebrando un Rejoncillo con Ayuda de un Chulo, 1816
Skinner
Bidding closed
Francisco de Goya
Carlos V lanceando un toro en la plaza de Valladolid [Charles V Spearing a Bull in the Ring at Valladolid], plate 10 , 1815-1816
"Goya: Mad Reason" at Blanton Museum of Art, Austin
Francisco de Goya
El animoso moro Gazul es el primero que lanceó toros en regla [The Spirited Moor Gazul Is the First to Spear Bulls According to the Rules], plate 5, 1815-1816
"Goya: Mad Reason" at Blanton Museum of Art, Austin
Francisco de Goya
Ferdinand VII in Court Dress, 1814-1815
"Goya: The Portraits" at The National Gallery, London
Francisco de Goya
They Play Another with the Cape... from L, 1816
Phillips Collection
Francisco de Goya
Charles Quint Lançant Un Taureau
Phillips Collection
Francisco de Goya
Los moros establecidos en Espana, prescindiendo de las supersticiones de su Alcoran, adoptaron esta caza y arte, y lancean un toro en el campo (The Moors Settled in Spain, Giving up the Superstitions of the Koran, Adopted This Art of Hunting, and Spear a Bull in the Open), in or before 1816
National Gallery of Art, Washington D.C.
Permanent collection
Francisco de Goya
Los Moros hacen otro capeo en plaza con su albornoz (The Moors Make a Different Play in the Ring Calling the Bull with Their Burnous), in or before 1816
National Gallery of Art, Washington D.C.
Permanent collection
Francisco de Goya
La Tauromaquia (The Bullfight), published 1816
National Gallery of Art, Washington D.C.
Permanent collection
Francisco de Goya
El Cid Campeador lanceando otro toro (The Cid Campeador Spearing Another Bull), in or before 1816
National Gallery of Art, Washington D.C.
Permanent collection
Francisco de Goya
Echan perros al toro (They Loose Dogs on the Bull), in or before 1816
National Gallery of Art, Washington D.C.
Permanent collection
Francisco de Goya
Picador Caught by a Bull, 1825
National Gallery of Art, Washington D.C.
Permanent collection
Francisco de Goya, ‘El Esforzado Rendon Picando un Toro, de Cuya Suerte Murio en la Plaza de Madrid’, 1816
Francisco de Goya
El Esforzado Rendon Picando un Toro, de Cuya Suerte Murio en la Plaza de Madrid, 1816
Heather James Fine Art Gallery Auction
Bidding closed
Francisco de Goya, ‘Al Toro y al Aire Darles Calle (Lluvia de Toros), from 'Los Proverbios'’, circa 1824
Francisco de Goya
Al Toro y al Aire Darles Calle (Lluvia de Toros), from 'Los Proverbios', circa 1824
Forum Auctions
Bidding closed
Francisco de Goya
El animoso moro Gazul es el primero que lanceó toros en regla [The Spirited Moor Gazul Is the First to Spear Bulls According to the Rules], plate 5, 1815-1816
"Goya: Mad Reason" at Blanton Museum of Art, Austin
Francisco de Goya
The same man throws a bull in the ring at Madrid, 1815-1816
Manet's Goya, Prints at Statens Museum for Kunst
Francisco de Goya
Another madness of his in the same ring, 1815-1816
Manet's Goya, Prints at Statens Museum for Kunst
Francisco de Goya
A Moor Caught by the Bull... from La Tauromaquia, 1816
Phillips Collection
Francisco de Goya
Los moros establecidos en Espana, prescindiendo de las supersticiones de su Alcoran, adoptaron esta caza y arte, y lancean un toro en el campo (The Moors Settled in Spain, Giving up the Superstitions of the Koran, Adopted This Art of Hunting, and Spear a Bull in the Open), in or before 1816
National Gallery of Art, Washington D.C.
Permanent collection
Francisco de Goya
Modo con que los antiguos Espanoles cazaban los toros a caballo en el campo (The Way in which the Ancient Spaniards Hunted Bulls on Horseback in the Open Country), in or before 1816
National Gallery of Art, Washington D.C.
Permanent collection
Francisco de Goya
El diestrisimo estudiante de Falces, embozadoburla al toro con sus quiebros (The Very Skillful Student of Falces, Wrapped in His Cape, Tricks the Bull with the Play of His Body), in or before 1816
National Gallery of Art, Washington D.C.
Permanent collection
Francisco de Goya
Echan perros al toro (They Loose Dogs on the Bull), in or before 1816
National Gallery of Art, Washington D.C.
Permanent collection
Francisco de Goya
El esforzado Rendon picando un toro, de cuya suerte murio en plaza de Madrid (The Forceful Rendon Stabs a Bull with the Pique, from Which Pass He Died in the Ring at Madrid), in or before 1816
National Gallery of Art, Washington D.C.
Permanent collection
Francisco de Goya, ‘Al Toro y al Aire Darles Calle (Lluvia de Toros), from: 'Los Proverbios'’, circa 1824
Francisco de Goya
Al Toro y al Aire Darles Calle (Lluvia de Toros), from: 'Los Proverbios', circa 1824
Forum Auctions
Bidding closed
Francisco de Goya, ‘A group of 3 prints including Tan bárbara la Seguridad come el Delito ('The Little Prisoner'), c. 1820; Dios se lo pague a usted ('Blind Man tossed on the Horns of a Bull'), c. 1800-1808; and Al Toro y al Aire Darles Calle (Lluvia de Toros) c. 1824’
Francisco de Goya
A group of 3 prints including Tan bárbara la Seguridad come el Delito ('The Little Prisoner'), c. 1820; Dios se lo pague a usted ('Blind Man tossed on the Horns of a Bull'), c. 1800-1808; and Al Toro y al Aire Darles Calle (Lluvia de Toros) c. 1824
Hindman
Bidding closed
Francisco de Goya
Disparate de tontos [or Toritos] [Fools’—or Little Bulls’—Folly], 1816-1819
"Goya: Mad Reason" at Blanton Museum of Art, Austin
Francisco de Goya
Cogida de un moro estando en la plaza [A Moor Caught by the Bull in the Ring], plate 8, 1815-1816
"Goya: Mad Reason" at Blanton Museum of Art, Austin
Francisco de Goya
Dreadful events in the front rows of the ring at Madrid and the death of the mayor of Torrejon (La Tauromaquia, 21), 1815-1816
Manet's Goya, Prints at Statens Museum for Kunst
Francisco de Goya
They Play Another with the Cape... from L, 1816
Phillips Collection
Francisco de Goya
Bullfight, Suerte de Varas, 1824
J. Paul Getty Museum
Permanent collection
Francisco de Goya
El mismo Ceballos montado sobre otro toro quiebra rejones en la plaza de Madrid (The Same Ceballos Mounted on Another Bull Breaks Short Spears in the Ring at Madrid), in or before 1816
National Gallery of Art, Washington D.C.
Permanent collection
Francisco de Goya
El Cid Campeador lanceando otro toro (The Cid Campeador Spearing Another Bull), in or before 1816
National Gallery of Art, Washington D.C.
Permanent collection
Francisco de Goya
Pedro Romero matando a toro parado (Pedro Romero Killing the Halted Bull), in or before 1816
National Gallery of Art, Washington D.C.
Permanent collection
Francisco de Goya, ‘El Esforzado Rendon Picando un Toro, de Cuya Suerte Murio en la Plaza de Madrid’, 1816
Francisco de Goya
El Esforzado Rendon Picando un Toro, de Cuya Suerte Murio en la Plaza de Madrid, 1816
Heather James Fine Art Gallery Auction
Bidding closed
Francisco de Goya, ‘Un Caballero en Plaza Quebrando un Rejoncillo con Ayuda de un Chulo’, 1816
Francisco de Goya
Un Caballero en Plaza Quebrando un Rejoncillo con Ayuda de un Chulo, 1816
Skinner
Bidding closed
Francisco de Goya
Carlos V lanceando un toro en la plaza de Valladolid [Charles V Spearing a Bull in the Ring at Valladolid], plate 10 , 1815-1816
"Goya: Mad Reason" at Blanton Museum of Art, Austin
Francisco de Goya
Ferdinand VII in Court Dress, 1814-1815
"Goya: The Portraits" at The National Gallery, London
Francisco de Goya
Charles Quint Lançant Un Taureau
Phillips Collection
Francisco de Goya
Los Moros hacen otro capeo en plaza con su albornoz (The Moors Make a Different Play in the Ring Calling the Bull with Their Burnous), in or before 1816
National Gallery of Art, Washington D.C.
Permanent collection
Francisco de Goya
La Tauromaquia (The Bullfight), published 1816
National Gallery of Art, Washington D.C.
Permanent collection
Francisco de Goya
Mariano Ceballos, alias el Indio, mata el toro desde su caballo (Mariano Ceballos, Alias the Indian, Kills the Bull from His Horse), in or before 1816
National Gallery of Art, Washington D.C.
Permanent collection
Francisco de Goya
Picador Caught by a Bull, 1825
National Gallery of Art, Washington D.C.
Permanent collection
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