Adam Wiseman

Adam Wiseman’s work is characterized by its clean and minimalist view towards the concept of urban. His lens adopts the "dead pan" aesthetics questioning the proportions and dimensions of the space in an exceptional way.
His editorial and personal work are inseparable; The main characters of his photography are people, traffic, buildings, billboards and the city movement. Specifically, the raw material of his work is everyday life.
Wiseman's work has been published in magazines such as Le Monde, Paris Match, The New York Times, T Magazine, Rolling Stone, Time Magazine, The Telegraph Magazine and National Geographic, as well as in newspapers The New York Times, The Wall Street Journal, The Observer Magazine and The Guardian.
Recently, his work has become an exploration of the documentary photographic language, and the changes that it currently experiments focusing on challenging the formal structure of documentary, achieving objectivity by adding the processes as part of the final product. Thus achieving objectivity through intersubjectivity.
Wiseman's photography has been exhibited in Spain, the United States, France, Japan, Mexico, Argentina, Venezuela and Switzerland, and is part of the Schöepflin Stiftung Collection in Germany; The permanent collection of the Smithsonian Institute in Washington D.C; The Museum of Fine Arts Houston; 9/11 Memorial in New York; The World Bank, Mexico; The Coppel Collection, Mexico; Colección Banamex, Mexico; And The Museum of Fine Arts Houston, Texas.

Submitted by Patricia Conde Galería