Agustina Woodgate creates art across multiple disciplines, her primary focus being the interplay between human beings and their surroundings. Born in Buenos Aires, Woodgate moved to Miami in 2004, where she gained recognition for covertly stitching labels inscribed with poems into thrift-store clothing (“poetry bombing,”) and for her work made with human hair. Today, her practice ranges from objects—human hair sculptures and kaleidoscopic rugs assembled with the pelts of recycled stuffed animals—to site-specific, context-based installations and performances. Striving to create work that fosters human relationships, Woodgate has produced public works such as park benches and color-changing billboards and bus shelters. Exploring an interest in residue and ephemera, she has sanded down the walls of an unused classroom and similarly, erased maps from a world atlas, both times collecting and cataloguing the dust.