Allen Jones

English, b. 1937

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Allen Jones

English, b. 1937

722
Followers
Biography

Controversial painter and sculptor Allen Jones is best known for his trio of fiberglass figures: Hatstand, Table, and Chair from 1969. The forniphilic series, which rocketed Jones to fame and made him an enemy to feminists, depicts women as furniture. They are placed in poses of submission and vanity, and clad in rubber BDSM costumes. Jones’s style reflects a desire to explore the representation of “the figure” in the context of 1960s minimalism and the decline of figural representation in art. He is fascinated by the effort and fakery people put into presenting themselves, and strives to personify the human condition in his pieces. Jones studied painting in art school but turned to sculpture as a means of giving his forms a true, physical presence. He returned to painting in the 1970s, producing works inspired by mail-order fetish-wear catalogues.

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Career Highlights
Learn more about artist insights.
Established
Established representation
Represented by industry leading galleries.
User
Solo show at a major institution
Serpentine Galleries
Group
Group show at a major institution
The Museum of Modern Art (MoMA), and 5 more
Institution
Collected by a major institution
Tate, and 1 more
Publication
Reviewed by a major art publication
Artforum, and 3 more
Fair
Included in a major biennial
Venice Biennale International Exhibition, and 1 more
Biography

Controversial painter and sculptor Allen Jones is best known for his trio of fiberglass figures: Hatstand, Table, and Chair from 1969. The forniphilic series, which rocketed Jones to fame and made him an enemy to feminists, depicts women as furniture. They are placed in poses of submission and vanity, and clad in rubber BDSM costumes. Jones’s style reflects a desire to explore the representation of “the figure” in the context of 1960s minimalism and the decline of figural representation in art. He is fascinated by the effort and fakery people put into presenting themselves, and strives to personify the human condition in his pieces. Jones studied painting in art school but turned to sculpture as a means of giving his forms a true, physical presence. He returned to painting in the 1970s, producing works inspired by mail-order fetish-wear catalogues.

Career Highlights
Learn more about artist insights.
Established
Established representation
Represented by industry leading galleries.
User
Solo show at a major institution
Serpentine Galleries
Group
Group show at a major institution
The Museum of Modern Art (MoMA), and 5 more
Institution
Collected by a major institution
Tate, and 1 more
Publication
Reviewed by a major art publication
Artforum, and 3 more
Fair
Included in a major biennial
Venice Biennale International Exhibition, and 1 more
Shows Featuring Allen Jones
Articles Featuring Allen Jones
Allen Jones Exhibits New Takes on the Female Form at Marlborough London
Dec 22nd, 2015
Fetish Art Comes Out of the Shadows at TASCHEN
Apr 7th, 2015
Fetish, Fantasy & “Women as Furniture”: The Complicated Legacy of Allen Jones
Dec 3rd, 2014
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