Apr 9, 2021

Bonhams

1989 Chromogenic print, printed later, signed, dated and numbered '1/30' in pencil/ ink on the verso. 12 1/4 x 17 3/4in (31.1 x 45cm) sheet 16 x 20in (40.6 x 50.8cm)

Mar 25, 2021

Sotheby's

signed, titled, numbered 5/6 and dated '97 on the reverse 款識：藝術家簽名、書題目、標記並紀年97（背面） cibachrome print in artist's frame Cibachrome 相紙，配藝術家自選框 framed: 175.3 by 275.5 cm. 69 by 108 ½ in. 175.3 x 275.5 公分；69 x 108 1/2 英寸 Executed in 1997, this work is number 5 from an edition of 6. 1997年作。1版6件，此作為第5件。

Dec 11, 2020

Sotheby's

signed, titled, dated 1995 and numbered 1/2 on the reverse  chromogenic print, in artist's frame 40 by 76⅜ in. (101.6 by 194 cm.) Executed in 1995, this work is artist's proof 1 of 2. The present work is one of two larger artist's proofs created by the artist aside from an edition of 60 prints of a smaller size.

Dec 8, 2020

Phillips

Dec 8, 2020

Sotheby's

Chromogenic print Signed, titled, dated and numbered 11/12 on the reverse Edition of 12 32.5 x 34.7 cm (image); 51 x 40.5 cm (sheet); 74.5 x 61.7 cm (framed) To view Shipping Calculator, please click here

Dec 4, 2020

Mainichi

offset, sheet size 59.5x84cm, signed, ed. (200), framed.Condition : in good condition.

Nov 17, 2020

Sotheby's

Property from the Collection of Diane von Furstenberg signed on a label affixed to the reverse c-print face-mounted on Plexiglas, in artist's frame 119 7/8 by 81 1/2 in. 304 by 207 cm. Executed in 2007, this work is number 2 from an edition of 7.

Oct 14, 2020

Phillips

Jul 17, 2020

Ketterer Kunst

Theben, West. 1993. Color photograph. Verso signed, dated, titled and inscribed "H. C. Nr. 1". From an edition of 5 copies aside from the edition. On firm wove paper. 140 x 110 cm (55.1 x 43.3 in). Sheet: 152 x 122 cm (59,8 x 48 in). In original artist frame with following dimensions: 156,5 x 126,5 cm (61,6 x 49,8 in). Please note the condition report. [CH]. • Appealing bird‘s eye view that combines micro- and macro photography • From an edition of just six copies with different dimensions • Copies from this edition are in possession of, among others, the Tate Gallery in London, the Stedelijk Museum in Amsterdam and the Fundación Bancaria "La Caixa" in Valencia. PROVENANCE: Achenbach Kunsthandel, Düsseldorf. Company collection Thomas Cook Touristik GmbH (acquired from aforementioned in 1994). Called up: July 17, 2020 - ca. 15.16 h +/- 20 min.

Jul 17, 2020

Ketterer Kunst

Cairo, Diptychon. 1992. two Color photographs. Each signed, dated and titled on verso of the original artist frame. One also numbered. From an edition of 4 copies. Each on firm wove paper. 89 x 112 cm (35 x 44 in). Sheet: 117,5 x 140,5 cm (46,3 x 55,3 in). Each in original artist frame with the dimensions 121 x 144 cm (47,6 x 56,7 in). [CH]. • Appealing bird's eye view combining micro- and macro photography. • From an edition of only four copies. • Along with "Theben, West" (Tate Modern, London/Stedelijk Museum, Amsterdam) and other works, the photographs were made on Gursky's journey through Egypt in 1992/93. • One of the world's most successful contemporary photographers and probably the most famous repesentative of the Düsseldorf Photo School under Bernd Becher. PROVENANCE: Achenbach Kunsthandel, Düsseldorf. Corporate collection Thomas Cook Touristik GmbH (acquired from aforementioned in 1994). EXHIBITION: Each different copy: Andreas Gursky. Fotografien 1984-1993, Deichtorhallen Hamburg, February 4 - April 10, 1994, pp. 106 f. (with illu.). Andreas Gursky. Images, Tate Gallery, Liverpool, July 1 - August 28, 1995, pp. 52 f. (with illu.). Andreas Gursky. Fotografien 1984 bis heute, Kunsthalle Düsseldorf, August 29 - October 18, 1998, pp. 42 f. (with illu.). Andreas Gursky, The Museum of Modern Art, New York, March 4 - May 15, 2001, cat. no. 18 (with illu., pp. 90 f.). LITERATURE: Robin Muir, Photography. The Bigger Picture, The Independent, London, October 10, 1998. Jean-Max Colard, Andreas Gursky. Macroscopie, Beaux Arts Magazine, no. 201, February 2001, pp. 52-57 (with illu.). Michael Rustin, Andreas Gursky. Global Photographer, in: Dissent Magazine, summer 2001, p. 98. Claus Ginti, Digital Image Systems. Photography and New Technologies at the Düsseldorf School, Bielefeld 2020, p. 186 (with illu., no. 74). "Although photography is different from painting, it can be very painterly." Andreas Gursky in a conversation with Heinz-Norbert Jocks, Kunstforum, vol. 145, 1999, pp. 248-265. Called up: July 17, 2020 - ca. 19.28 h +/- 20 min.