Dennis Oppenheim

American, 1938–2011

3.8k followers

Dennis Oppenheim

Bio

American, 1938–2011

Followers
3.8k
Biography

From a church standing on its steeple to rings carved in a snow-covered field, Dennis Oppenheim’s vast and unpredictable oeuvre spans Conceptual, Performance, Land, and Body Art, sculpture, video, and photography. “I have never been able to be what they call a signature artist,” he once said. “Most of my work comes from ideas.” Oppenheim was featured in the seminal “Earthworks” exhibition of 1968 alongside the likes of Robert Smithson; his earliest works were ephemeral pieces—patterns cut in wheatfields, a mound of dirt punctuated with wooden planks. He would take up Body Art after befriending Vito Acconci, producing pieces like Reading Position for Second Degree Burn (1970), for which he laid in the sun for five hours, sunburning the shape of a book onto his chest. In the decades after, his wide-ranging practice included several Pop-inflected public monuments, including giant Hershey’s Kisses and diamond rings.

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Career Highlights
Learn more about artist insights.
Blue chip status
Blue chip representation
Represented by internationally reputable galleries.
User
Solo show at a major institution
The Museum of Modern Art (MoMA), and 1 more
Group
Group show at a major institution
The Museum of Modern Art (MoMA), and 13 more
Institution
Collected by a major institution
Tate, and 2 more
Publication
Reviewed by a major art publication
Artforum, and 2 more
Fair
Included in a major biennial
Venice Biennale National Pavilion, and 4 more
Biography

From a church standing on its steeple to rings carved in a snow-covered field, Dennis Oppenheim’s vast and unpredictable oeuvre spans Conceptual, Performance, Land, and Body Art, sculpture, video, and photography. “I have never been able to be what they call a signature artist,” he once said. “Most of my work comes from ideas.” Oppenheim was featured in the seminal “Earthworks” exhibition of 1968 alongside the likes of Robert Smithson; his earliest works were ephemeral pieces—patterns cut in wheatfields, a mound of dirt punctuated with wooden planks. He would take up Body Art after befriending Vito Acconci, producing pieces like Reading Position for Second Degree Burn (1970), for which he laid in the sun for five hours, sunburning the shape of a book onto his chest. In the decades after, his wide-ranging practice included several Pop-inflected public monuments, including giant Hershey’s Kisses and diamond rings.

Career Highlights
Learn more about artist insights.
Blue chip status
Blue chip representation
Represented by internationally reputable galleries.
User
Solo show at a major institution
The Museum of Modern Art (MoMA), and 1 more
Group
Group show at a major institution
The Museum of Modern Art (MoMA), and 13 more
Institution
Collected by a major institution
Tate, and 2 more
Publication
Reviewed by a major art publication
Artforum, and 2 more
Fair
Included in a major biennial
Venice Biennale National Pavilion, and 4 more
Shows Featuring Dennis Oppenheim
Articles Featuring Dennis Oppenheim
The New York Workshop Where Famous Artists Get Their Neons Made
Jun 28th, 2017
The New York Workshop Where Famous Artists Get Their Neons Made
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