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Edgar Martins

Portuguese, born 1977

115 followers
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Edgar Martins

Portuguese, born 1977

115 followers
Overview
CV
Shows
Related Categories
Portugal
Long Exposure
London Artists
Isolation/Alienation
Contemporary Photography
Color Photography
Vacant and Vacated Spaces
Photography
+3 more
Selected career achievements
group
Group show at a major institution
The Museum of Modern Art (MoMA), and 2 more
Learn more about artist insights.
Edgar Martins, ‘Make Men Great Again, from the series What photography has in Common with an Empty Vase’, 2019
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Edgar Martins
Make Men Great Again, from the series What photography has in Common with an Empty Vase, 2019
Galeria Filomena Soares
Edgar Martins, ‘Stop gein'me yon funny look, from the series What photography has in Common with an Empty Vase’, 2019
Contact for price
Edgar Martins
Stop gein'me yon funny look, from the series What photography has in Common with an Empty Vase, 2019
Galeria Filomena Soares
Edgar Martins, ‘My spies tell me 'er Facebook status syas she's in a relationship, from the series What photography has in Common with an Empty Vase’, 2019
Contact for price
Edgar Martins
My spies tell me 'er Facebook status syas she's in a relationship, from the series What photography has in Common with an Empty Vase, 2019
Galeria Filomena Soares
Edgar Martins, ‘Untitled, from the series What photography has in Common with an Empty Vase’, 2019
Contact for price
Edgar Martins
Untitled, from the series What photography has in Common with an Empty Vase, 2019
Galeria Filomena Soares
Edgar Martins, ‘Suicide letter in the form of a personal will, da série Siloquies and Soliloquies on Death, Life and Other Interludes’, 2016
Contact for price
Edgar Martins
Suicide letter in the form of a personal will, da série Siloquies and Soliloquies on Death, Life and Other Interludes, 2016
Galeria Filomena Soares
Edgar Martins, ‘Untitled, from the series What photography has in Common with an Empty Vase’, 2019
Contact for price
Edgar Martins
Untitled, from the series What photography has in Common with an Empty Vase, 2019
Galeria Filomena Soares
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Edgar Martins
Crate Power Station: Machine Hall (from the series The Time Machine), 2011
Galeria Filomena Soares
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Edgar Martins
Absence doesn't fucking make the heart go fonder, from the series What photography has in Common with an Empty Vase, 2019
Galeria Filomena Soares
Contact for price
Edgar Martins
Acoustic testing facility, IABG, Ottobrunn-Munich (Germany) from the series The Rehearsal of Space & the Poetic Impossibility to Manage the Infinite, 2014
Purdy Hicks Gallery
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Edgar Martins
Stop gein' me yon funny look, 2018
Purdy Hicks Gallery
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Edgar Martins
Flowers , 2016
Purdy Hicks Gallery
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Edgar Martins
Example of photography as catharsis 1
Purdy Hicks Gallery
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Edgar Martins
Press Shop BMW Group Plant Munich (Germany) from the series 00:00.00, 2015
Purdy Hicks Gallery
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Edgar Martins
Meeting of Minds (from the series The Rate of Convergence of Two Opposing System Trajectories), 2008
Galeria Filomena Soares
Edgar Martins, ‘A. by Asylum Bridge, from the series What photography has in Common with an Empty Vase’, 2019
Contact for price
Edgar Martins
A. by Asylum Bridge, from the series What photography has in Common with an Empty Vase, 2019
Galeria Filomena Soares
Edgar Martins, ‘Untitled (from the series Siloquies and Soliloquies on Death, Life and Other Interludes)’, 2016
Contact for price
Edgar Martins
Untitled (from the series Siloquies and Soliloquies on Death, Life and Other Interludes), 2016
Galeria Filomena Soares
Edgar Martins, ‘The sum of my complicated parts, from the series What photography has in Common with an Empty Vase’, 2019
Contact for price
Edgar Martins
The sum of my complicated parts, from the series What photography has in Common with an Empty Vase, 2019
Galeria Filomena Soares
Edgar Martins, ‘Absence doesn't fucking make the heart go fonder, from the series What photography has in Common with an Empty Vase’, 2019
Contact for price
Edgar Martins
Absence doesn't fucking make the heart go fonder, from the series What photography has in Common with an Empty Vase, 2019
Galeria Filomena Soares
Edgar Martins, ‘'N.' by Winson Green Prison canal, from the series What photography has in Common with an Empty Vase’, 2019
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Edgar Martins
'N.' by Winson Green Prison canal, from the series What photography has in Common with an Empty Vase, 2019
Galeria Filomena Soares
Contact for price
Edgar Martins
Untitled Atltanta (Georgia) from the series This is not a House, 2008
Purdy Hicks Gallery
Contact for price
Edgar Martins
'Guid Ridance, 'Guide Ridance' (Examples of Photography has Catachresis), from the series What Photography has in Common with an Empty Vase, 2018
Galeria Filomena Soares
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Edgar Martins
Untitled (from the series When Light Casts no Shadow), 2008
Galeria Filomena Soares
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Edgar Martins
Family , 2016
Purdy Hicks Gallery
Contact for price
Edgar Martins
Lost in translation, from the series What photography has in Common with an Empty Vase, 2019
Galeria Filomena Soares
Contact for price
Edgar Martins
There's a shite stunk in the air - Dad's oot on bail, from the series What photography has in Common with an Empty Vase, 2019
Galeria Filomena Soares
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Edgar Martins
I belong to Cypress Hours, from the series Siloquies and Soliloquies on Death, Life and Other Interludes, 2016
Galeria Filomena Soares
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Edgar Martins
Sum of Destructions II (diptych), 2017
Purdy Hicks Gallery
Contact for price
Edgar Martins
Letter/Diary entry from inmate A 14th April 2018, 2018
Purdy Hicks Gallery
Contact for price
Edgar Martins
Untitled (Phoenix, Arizona), from the series This is not a House, 2008
Galeria Filomena Soares
Contact for price
Edgar Martins
Sum of Destructions , 2017
Purdy Hicks Gallery
Edgar Martins, ‘Make Men Great Again, from the series What photography has in Common with an Empty Vase’, 2019
Contact for price
Edgar Martins
Make Men Great Again, from the series What photography has in Common with an Empty Vase, 2019
Galeria Filomena Soares
Edgar Martins, ‘Untitled (from the series Siloquies and Soliloquies on Death, Life and Other Interludes)’, 2016
Contact for price
Edgar Martins
Untitled (from the series Siloquies and Soliloquies on Death, Life and Other Interludes), 2016
Galeria Filomena Soares
Edgar Martins, ‘Untitled, from the series What photography has in Common with an Empty Vase’, 2019
Contact for price
Edgar Martins
Untitled, from the series What photography has in Common with an Empty Vase, 2019
Galeria Filomena Soares
Edgar Martins, ‘Untitled, from the series What photography has in Common with an Empty Vase’, 2019
Contact for price
Edgar Martins
Untitled, from the series What photography has in Common with an Empty Vase, 2019
Galeria Filomena Soares
Edgar Martins, ‘Untitled (from the series When Light Casts no Shadow)’, 2008
Contact for price
Edgar Martins
Untitled (from the series When Light Casts no Shadow), 2008
Galeria Filomena Soares
Edgar Martins, ‘Lost in translation, from the series What photography has in Common with an Empty Vase’, 2019
Contact for price
Edgar Martins
Lost in translation, from the series What photography has in Common with an Empty Vase, 2019
Galeria Filomena Soares
Contact for price
Edgar Martins
Acoustic testing facility, IABG, Ottobrunn-Munich (Germany) from the series The Rehearsal of Space & the Poetic Impossibility to Manage the Infinite, 2014
Purdy Hicks Gallery
Contact for price
Edgar Martins
Stop gein' me yon funny look, 2018
Purdy Hicks Gallery
Contact for price
Edgar Martins
Letter/Diary entry from inmate A 14th April 2018, 2018
Purdy Hicks Gallery
Contact for price
Edgar Martins
Meeting of Minds (from the series The Rate of Convergence of Two Opposing System Trajectories), 2008
Galeria Filomena Soares
Edgar Martins, ‘A. by Asylum Bridge, from the series What photography has in Common with an Empty Vase’, 2019
Contact for price
Edgar Martins
A. by Asylum Bridge, from the series What photography has in Common with an Empty Vase, 2019
Galeria Filomena Soares
Edgar Martins, ‘My spies tell me 'er Facebook status syas she's in a relationship, from the series What photography has in Common with an Empty Vase’, 2019
Contact for price
Edgar Martins
My spies tell me 'er Facebook status syas she's in a relationship, from the series What photography has in Common with an Empty Vase, 2019
Galeria Filomena Soares
Edgar Martins, ‘'N.' by Winson Green Prison canal, from the series What photography has in Common with an Empty Vase’, 2019
Contact for price
Edgar Martins
'N.' by Winson Green Prison canal, from the series What photography has in Common with an Empty Vase, 2019
Galeria Filomena Soares
Edgar Martins, ‘Suicide letter in the form of a personal will, da série Siloquies and Soliloquies on Death, Life and Other Interludes’, 2016
Contact for price
Edgar Martins
Suicide letter in the form of a personal will, da série Siloquies and Soliloquies on Death, Life and Other Interludes, 2016
Galeria Filomena Soares
Edgar Martins, ‘Crate Power Station: Machine Hall (from the series The Time Machine)’, 2011
Contact for price
Edgar Martins
Crate Power Station: Machine Hall (from the series The Time Machine), 2011
Galeria Filomena Soares
Contact for price
Edgar Martins
Absence doesn't fucking make the heart go fonder, from the series What photography has in Common with an Empty Vase, 2019
Galeria Filomena Soares
Contact for price
Edgar Martins
I belong to Cypress Hours, from the series Siloquies and Soliloquies on Death, Life and Other Interludes, 2016
Galeria Filomena Soares
Contact for price
Edgar Martins
Flowers , 2016
Purdy Hicks Gallery
Contact for price
Edgar Martins
Press Shop BMW Group Plant Munich (Germany) from the series 00:00.00, 2015
Purdy Hicks Gallery
Contact for price
Edgar Martins
Sum of Destructions , 2017
Purdy Hicks Gallery
Edgar Martins, ‘Stop gein'me yon funny look, from the series What photography has in Common with an Empty Vase’, 2019
Contact for price
Edgar Martins
Stop gein'me yon funny look, from the series What photography has in Common with an Empty Vase, 2019
Galeria Filomena Soares
Edgar Martins, ‘The sum of my complicated parts, from the series What photography has in Common with an Empty Vase’, 2019
Contact for price
Edgar Martins
The sum of my complicated parts, from the series What photography has in Common with an Empty Vase, 2019
Galeria Filomena Soares
Edgar Martins, ‘Absence doesn't fucking make the heart go fonder, from the series What photography has in Common with an Empty Vase’, 2019
Contact for price
Edgar Martins
Absence doesn't fucking make the heart go fonder, from the series What photography has in Common with an Empty Vase, 2019
Galeria Filomena Soares
Edgar Martins, ‘Untitled Atltanta (Georgia) from the series This is not a House’, 2008
Contact for price
Edgar Martins
Untitled Atltanta (Georgia) from the series This is not a House, 2008
Purdy Hicks Gallery
Contact for price
Edgar Martins
'Guid Ridance, 'Guide Ridance' (Examples of Photography has Catachresis), from the series What Photography has in Common with an Empty Vase, 2018
Galeria Filomena Soares
Contact for price
Edgar Martins
Family , 2016
Purdy Hicks Gallery
Contact for price
Edgar Martins
There's a shite stunk in the air - Dad's oot on bail, from the series What photography has in Common with an Empty Vase, 2019
Galeria Filomena Soares
Contact for price
Edgar Martins
Sum of Destructions II (diptych), 2017
Purdy Hicks Gallery
Contact for price
Edgar Martins
Example of photography as catharsis 1
Purdy Hicks Gallery
Contact for price
Edgar Martins
Untitled (Phoenix, Arizona), from the series This is not a House, 2008
Galeria Filomena Soares
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Edgar Martins, ‘Make Men Great Again, from the series What photography has in Common with an Empty Vase’, 2019
Contact for price
Edgar Martins
Make Men Great Again, from the series What photography has in Common with an Empty Vase, 2019
Galeria Filomena Soares
Edgar Martins, ‘Stop gein'me yon funny look, from the series What photography has in Common with an Empty Vase’, 2019
Contact for price
Edgar Martins
Stop gein'me yon funny look, from the series What photography has in Common with an Empty Vase, 2019
Galeria Filomena Soares
Edgar Martins, ‘My spies tell me 'er Facebook status syas she's in a relationship, from the series What photography has in Common with an Empty Vase’, 2019
Contact for price
Edgar Martins
My spies tell me 'er Facebook status syas she's in a relationship, from the series What photography has in Common with an Empty Vase, 2019
Galeria Filomena Soares
Edgar Martins, ‘Untitled, from the series What photography has in Common with an Empty Vase’, 2019
Contact for price
Edgar Martins
Untitled, from the series What photography has in Common with an Empty Vase, 2019
Galeria Filomena Soares
Edgar Martins, ‘Suicide letter in the form of a personal will, da série Siloquies and Soliloquies on Death, Life and Other Interludes’, 2016
Contact for price
Edgar Martins
Suicide letter in the form of a personal will, da série Siloquies and Soliloquies on Death, Life and Other Interludes, 2016
Galeria Filomena Soares
Edgar Martins, ‘Untitled, from the series What photography has in Common with an Empty Vase’, 2019
Contact for price
Edgar Martins
Untitled, from the series What photography has in Common with an Empty Vase, 2019
Galeria Filomena Soares
Contact for price
Edgar Martins
Crate Power Station: Machine Hall (from the series The Time Machine), 2011
Galeria Filomena Soares
Contact for price
Edgar Martins
Absence doesn't fucking make the heart go fonder, from the series What photography has in Common with an Empty Vase, 2019
Galeria Filomena Soares
Contact for price
Edgar Martins
Acoustic testing facility, IABG, Ottobrunn-Munich (Germany) from the series The Rehearsal of Space & the Poetic Impossibility to Manage the Infinite, 2014
Purdy Hicks Gallery
Contact for price
Edgar Martins
Stop gein' me yon funny look, 2018
Purdy Hicks Gallery
Contact for price
Edgar Martins
Flowers , 2016
Purdy Hicks Gallery
Contact for price
Edgar Martins
Example of photography as catharsis 1
Purdy Hicks Gallery
Contact for price
Edgar Martins
Press Shop BMW Group Plant Munich (Germany) from the series 00:00.00, 2015
Purdy Hicks Gallery
Contact for price
Edgar Martins
Meeting of Minds (from the series The Rate of Convergence of Two Opposing System Trajectories), 2008
Galeria Filomena Soares
Edgar Martins, ‘A. by Asylum Bridge, from the series What photography has in Common with an Empty Vase’, 2019
Contact for price
Edgar Martins
A. by Asylum Bridge, from the series What photography has in Common with an Empty Vase, 2019
Galeria Filomena Soares
Edgar Martins, ‘Untitled (from the series Siloquies and Soliloquies on Death, Life and Other Interludes)’, 2016
Contact for price
Edgar Martins
Untitled (from the series Siloquies and Soliloquies on Death, Life and Other Interludes), 2016
Galeria Filomena Soares
Edgar Martins, ‘The sum of my complicated parts, from the series What photography has in Common with an Empty Vase’, 2019
Contact for price
Edgar Martins
The sum of my complicated parts, from the series What photography has in Common with an Empty Vase, 2019
Galeria Filomena Soares
Edgar Martins, ‘Absence doesn't fucking make the heart go fonder, from the series What photography has in Common with an Empty Vase’, 2019
Contact for price
Edgar Martins
Absence doesn't fucking make the heart go fonder, from the series What photography has in Common with an Empty Vase, 2019
Galeria Filomena Soares
Edgar Martins, ‘'N.' by Winson Green Prison canal, from the series What photography has in Common with an Empty Vase’, 2019
Contact for price
Edgar Martins
'N.' by Winson Green Prison canal, from the series What photography has in Common with an Empty Vase, 2019
Galeria Filomena Soares
Contact for price
Edgar Martins
Untitled Atltanta (Georgia) from the series This is not a House, 2008
Purdy Hicks Gallery
Contact for price
Edgar Martins
'Guid Ridance, 'Guide Ridance' (Examples of Photography has Catachresis), from the series What Photography has in Common with an Empty Vase, 2018
Galeria Filomena Soares
Contact for price
Edgar Martins
Untitled (from the series When Light Casts no Shadow), 2008
Galeria Filomena Soares
Contact for price
Edgar Martins
Family , 2016
Purdy Hicks Gallery
Contact for price
Edgar Martins
Lost in translation, from the series What photography has in Common with an Empty Vase, 2019
Galeria Filomena Soares
Contact for price
Edgar Martins
There's a shite stunk in the air - Dad's oot on bail, from the series What photography has in Common with an Empty Vase, 2019
Galeria Filomena Soares
Contact for price
Edgar Martins
I belong to Cypress Hours, from the series Siloquies and Soliloquies on Death, Life and Other Interludes, 2016
Galeria Filomena Soares
Contact for price
Edgar Martins
Sum of Destructions II (diptych), 2017
Purdy Hicks Gallery
Contact for price
Edgar Martins
Letter/Diary entry from inmate A 14th April 2018, 2018
Purdy Hicks Gallery
Contact for price
Edgar Martins
Untitled (Phoenix, Arizona), from the series This is not a House, 2008
Galeria Filomena Soares
Contact for price
Edgar Martins
Sum of Destructions , 2017
Purdy Hicks Gallery
Edgar Martins, ‘Make Men Great Again, from the series What photography has in Common with an Empty Vase’, 2019
Contact for price
Edgar Martins
Make Men Great Again, from the series What photography has in Common with an Empty Vase, 2019
Galeria Filomena Soares
Edgar Martins, ‘Untitled (from the series Siloquies and Soliloquies on Death, Life and Other Interludes)’, 2016
Contact for price
Edgar Martins
Untitled (from the series Siloquies and Soliloquies on Death, Life and Other Interludes), 2016
Galeria Filomena Soares
Edgar Martins, ‘Untitled, from the series What photography has in Common with an Empty Vase’, 2019
Contact for price
Edgar Martins
Untitled, from the series What photography has in Common with an Empty Vase, 2019
Galeria Filomena Soares
Edgar Martins, ‘Untitled, from the series What photography has in Common with an Empty Vase’, 2019
Contact for price
Edgar Martins
Untitled, from the series What photography has in Common with an Empty Vase, 2019
Galeria Filomena Soares
Edgar Martins, ‘Untitled (from the series When Light Casts no Shadow)’, 2008
Contact for price
Edgar Martins
Untitled (from the series When Light Casts no Shadow), 2008
Galeria Filomena Soares
Edgar Martins, ‘Lost in translation, from the series What photography has in Common with an Empty Vase’, 2019
Contact for price
Edgar Martins
Lost in translation, from the series What photography has in Common with an Empty Vase, 2019
Galeria Filomena Soares
Contact for price
Edgar Martins
Acoustic testing facility, IABG, Ottobrunn-Munich (Germany) from the series The Rehearsal of Space & the Poetic Impossibility to Manage the Infinite, 2014
Purdy Hicks Gallery
Contact for price
Edgar Martins
Stop gein' me yon funny look, 2018
Purdy Hicks Gallery
Contact for price
Edgar Martins
Letter/Diary entry from inmate A 14th April 2018, 2018
Purdy Hicks Gallery
Contact for price
Edgar Martins
Meeting of Minds (from the series The Rate of Convergence of Two Opposing System Trajectories), 2008
Galeria Filomena Soares
Edgar Martins, ‘A. by Asylum Bridge, from the series What photography has in Common with an Empty Vase’, 2019
Contact for price
Edgar Martins
A. by Asylum Bridge, from the series What photography has in Common with an Empty Vase, 2019
Galeria Filomena Soares
Edgar Martins, ‘My spies tell me 'er Facebook status syas she's in a relationship, from the series What photography has in Common with an Empty Vase’, 2019
Contact for price
Edgar Martins
My spies tell me 'er Facebook status syas she's in a relationship, from the series What photography has in Common with an Empty Vase, 2019
Galeria Filomena Soares
Edgar Martins, ‘'N.' by Winson Green Prison canal, from the series What photography has in Common with an Empty Vase’, 2019
Contact for price
Edgar Martins
'N.' by Winson Green Prison canal, from the series What photography has in Common with an Empty Vase, 2019
Galeria Filomena Soares
Edgar Martins, ‘Suicide letter in the form of a personal will, da série Siloquies and Soliloquies on Death, Life and Other Interludes’, 2016
Contact for price
Edgar Martins
Suicide letter in the form of a personal will, da série Siloquies and Soliloquies on Death, Life and Other Interludes, 2016
Galeria Filomena Soares
Edgar Martins, ‘Crate Power Station: Machine Hall (from the series The Time Machine)’, 2011
Contact for price
Edgar Martins
Crate Power Station: Machine Hall (from the series The Time Machine), 2011
Galeria Filomena Soares
Contact for price
Edgar Martins
Absence doesn't fucking make the heart go fonder, from the series What photography has in Common with an Empty Vase, 2019
Galeria Filomena Soares
Contact for price
Edgar Martins
I belong to Cypress Hours, from the series Siloquies and Soliloquies on Death, Life and Other Interludes, 2016
Galeria Filomena Soares
Contact for price
Edgar Martins
Flowers , 2016
Purdy Hicks Gallery
Contact for price
Edgar Martins
Press Shop BMW Group Plant Munich (Germany) from the series 00:00.00, 2015
Purdy Hicks Gallery
Contact for price
Edgar Martins
Sum of Destructions , 2017
Purdy Hicks Gallery
Edgar Martins, ‘Stop gein'me yon funny look, from the series What photography has in Common with an Empty Vase’, 2019
Contact for price
Edgar Martins
Stop gein'me yon funny look, from the series What photography has in Common with an Empty Vase, 2019
Galeria Filomena Soares
Edgar Martins, ‘The sum of my complicated parts, from the series What photography has in Common with an Empty Vase’, 2019
Contact for price
Edgar Martins
The sum of my complicated parts, from the series What photography has in Common with an Empty Vase, 2019
Galeria Filomena Soares
Edgar Martins, ‘Absence doesn't fucking make the heart go fonder, from the series What photography has in Common with an Empty Vase’, 2019
Contact for price
Edgar Martins
Absence doesn't fucking make the heart go fonder, from the series What photography has in Common with an Empty Vase, 2019
Galeria Filomena Soares
Edgar Martins, ‘Untitled Atltanta (Georgia) from the series This is not a House’, 2008
Contact for price
Edgar Martins
Untitled Atltanta (Georgia) from the series This is not a House, 2008
Purdy Hicks Gallery
Contact for price
Edgar Martins
'Guid Ridance, 'Guide Ridance' (Examples of Photography has Catachresis), from the series What Photography has in Common with an Empty Vase, 2018
Galeria Filomena Soares
Contact for price
Edgar Martins
Family , 2016
Purdy Hicks Gallery
Contact for price
Edgar Martins
There's a shite stunk in the air - Dad's oot on bail, from the series What photography has in Common with an Empty Vase, 2019
Galeria Filomena Soares
Contact for price
Edgar Martins
Sum of Destructions II (diptych), 2017
Purdy Hicks Gallery
Contact for price
Edgar Martins
Example of photography as catharsis 1
Purdy Hicks Gallery
Contact for price
Edgar Martins
Untitled (Phoenix, Arizona), from the series This is not a House, 2008
Galeria Filomena Soares
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Buy
Buying from Galleries FAQBuying from Auctions FAQConsign with Artsy
Learn
EducationThe Art Genome Project
About us
AboutBlogJobsOpen SourcePressContactSend us feedback
Partners
Artsy for GalleriesArtsy for MuseumsArtsy for Auctions
© 2018 Artsy
Terms of Use
Privacy Policy
Security
Conditions of Sale
Artsy
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© 2018 Artsy
Terms of Use
Privacy Policy
Security
Conditions of Sale
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