Eduardo Terrazas’s learned practice spans architecture, art, and design, achieving a lively mix of geometric study and handcraft. Using an approach that marries South American folk art and European avant-garde influences, Terrazas has produced more than 600 works over 45 years. He first became interested in folk art as a museographer, later collaborating with the Huichol, a native Indian ethnic group. His series “Constellations” (2013) involves traditional techniques of yarn painting on wood board and fine beadwork in beeswax, processes that render brightly colored or monochrome mathematical patterns with the formal rigor of De Stijl. His architectural training has led him to develop many projects in Mexican cities, while his design background informed his work as a collaborator on the design of the logo for the 1968 Summer Olympics.