Jan 28, 2021

Christie's

FRANCISCO DE GOYA Y LUCIENTES (1746-1828) etching with burnished aquatint, drypoint and engraving, circa 1798-99 on laid paper, without watermark, a very good impression from the First Edition, published by the artist, Madrid, 1799, the burnished highlights contrasting well with the evenly printed dark background Plate 216 x 146 mm. Sheet 298 x 203 mm.

Jan 28, 2021

Christie's

FRANCISCO DE GOYA Y LUCIENTES (1746-1828) etching with burnished aquatint, drypoint and engraving, 1799, on laid paper, without watermark, a fine impression from the First Edition, published by the artist, Madrid, 1799, the pale aquatint in the sky and foreground printing well Plate 216 x 151 mm. Sheet 320 x 220 mm. Please note this lot is the property of a private individual.

Jan 28, 2021

Christie's

FRANCISCO DE GOYA Y LUCIENTES (1746-1828) etching with burnished aquatint, drypoint and engraving, circa 1798-99, on laid paper, without watermark, a very good impression from the First Edition, published by the artist, Madrid, 1799, the very pale aquatint on the shoulder of the seated figure, which wears away early in the First Edition, still present Plate 216 x 146 mm. Sheet 298 x 203 mm.

Jan 28, 2021

Christie's

FRANCISCO DE GOYA Y LUCIENTES (1746-1828) etching with burnished aquatint, drypoint and engraving, circa 1798-99, on laid paper, without watermark, a very good impression from the First Edition, published by the artist, Madrid, 1799, some wear starting to show in the background, but the drypoint on the young woman’s bodice and sleeve with touches of burr, only present in early impressions Plate 203 x 149 mm. Sheet 298 x 203 mm.

Jan 28, 2021

Christie's

FRANCISCO DE GOYA Y LUCIENTES (1746-1828) etching with burnished aquatint, drypoint and engraving, circa 1798-99, on laid paper, without watermark, a very good impression from the First Edition, published by the artist, Madrid, 1799 Plate 216 x 152 mm. Sheet 298 x 203 mm.

Jan 28, 2021

Christie's

FRANCISCO DE GOYA Y LUCIENTES (1746-1828) etching with burnished aquatint, drypoint and engraving, circa 1798-99, on laid paper, without watermark, a very good impression from the First Edition, published by the artist, Madrid, 1799, with touches of burr on the threads of yarn by the spinner’s left hand Plate 216 x 149 mm. Sheet 298 x 203 mm.

Jan 28, 2021

Christie's

FRANCISCO DE GOYA Y LUCIENTES (1746-1828) etching with burnished aquatint, drypoint and engraving, 1799, on laid paper, without watermark, a fine impression from the First Edition, published by the artist, Madrid, 1799 Plate 205 x 150 mm. Sheet 315 x 226 mm. Please note this lot is the property of a private individual.

Jan 28, 2021

Christie's

FRANCISCO DE GOYA Y LUCIENTES (1746-1828) etching and aquatint, 1799, on laid paper, without watermark, a very good impression from the First Edition, published by the artist, Madrid, 1799 Plate 215 x 150 mm. Sheet 321 x 222 mm. Please note this lot is the property of a private individual.

Jan 28, 2021

Christie's

FRANCISCO DE GOYA Y LUCIENTES (1746–1828) including: El de la rollona, plate 4, etching with burnished aquatint; El Vergonzoso, plate 54, etching with aquatint; Quien lo creyera!, plate 62,etching with burnished aquatint and engraving; and Donde vá mamà?, plate 65, etching with aquatint and engraving; all circa 1798, on laid paper, without watermark, good impressions from the First Edition, published by the artist, Madrid, 1799 Sheet 305 x 205 mm. (and smaller) Please note this lot is the property of a private individual.

Oct 23, 2020

Christie's

Correction (Correccion) Plate 46 from: Los Caprichos etching with burnished aquatint, drypoint and engraving, on laid paper, a very good impression from the First Edition, published by the artist, Madrid, 1799, the burnished highlights particularly brilliant, framed Plate: 83⁄8 x 53⁄4 in. (213 x 146 mm.) Sheet: 113⁄4 x 8 in. (298 x 203 mm.)