Multimedia artist George Legrady creates installations, photography, and data visualizations that manipulate technologies in order to examine our relationship with images and technology. Refraction (2010–11) consists of eight composite photographs, printed using an antiquated method known as the lenticular process; three images are superimposed and become visible according to the spectator’s angle of view. In Slice (2011), a software-generated animation that blurs the line between representation and abstraction, an image is sliced into smaller and smaller fragments until it manifests an illegible abstraction. Legrady’s earlier works include his Algorithmic Visualizations, abstract, algorithmically generated images. “One of my goals in working with computers and computer programming was to introduce works that would somehow test the boundary between the believable and the simulated,” he has said.