George Romney
British, December 26, 1734 - November 15, 1802
170 followers
George Romney
British, December 26, 1734 - November 15, 1802
170 followers
68 Results
68 Results
Work
Price
Work
Sale
Price
Troilus and Cressida, Act IV, Scene V - 'The Fight Between Hector and Ajax I',1734-1802
41 x 54.9 cm
Christie's
Jul 03, 2018
Troilus and Cressida, Act IV, Scene V - 'The Fight Between Hector and Ajax I',1734-1802
41 x 54.9 cm
George Romney (Dalton-in-Furness, Lancashire 1734-1802 Kendal, Cumbria) Troilus and Cressida, Act IV, Scene V - 'The Fight Between Hector and Ajax I' pencil, pen and grey ink, grey wash 16 1/8 x 21...
Troilus and Cressida, Act IV, Scene V - 'The Fight Between Hector and Ajax I',1734-1802
41 x 54.9 cm
George Romney (Dalton-in-Furness, Lancashire 1734-1802 Kendal, Cumbria) Troilus and Cressida, Act IV, Scene V - 'The Fight Between Hector and Ajax I' pencil, pen and grey ink, grey wash 16 1/8 x 21...
Christie's
Jul 03, 2018
Full description
Troilus and Cressida, Act IV, Scene V - 'The Fight Between Hector and Ajax II',1734-1802
40 x 54.6 cm
Christie's
Jul 03, 2018
Troilus and Cressida, Act IV, Scene V - 'The Fight Between Hector and Ajax II',1734-1802
40 x 54.6 cm
George Romney (Dalton-in-Furness, Lancashire 1734-1802 Kendal, Cumbria) Troilus and Cressida, Act IV, Scene V - 'The Fight Between Hector and Ajax II' pencil, pen and grey ink, grey wash 15 ¾ x 21 ...
Troilus and Cressida, Act IV, Scene V - 'The Fight Between Hector and Ajax II',1734-1802
40 x 54.6 cm
George Romney (Dalton-in-Furness, Lancashire 1734-1802 Kendal, Cumbria) Troilus and Cressida, Act IV, Scene V - 'The Fight Between Hector and Ajax II' pencil, pen and grey ink, grey wash 15 ¾ x 21 ...
Christie's
Jul 03, 2018
Full description
Portrait of William Salmond (1737-1779), three-quarter-length, in the robes of office of a member of the Island Council of Antigua, his left hand resting on an architectural drawing, in a landscape; and Portrait of Jane Salmond, née Hasell (1745-1820), three-quarter-length, in an oyster satin dress and pink gown, in a landscape,1745-1820
128 x 102.5 cm
Christie's
Dec 08, 2017
Portrait of William Salmond (1737-1779), three-quarter-length, in the robes of office of a member of the Island Council of Antigua, his left hand resting on an architectural drawing, in a landscape; and Portrait of Jane Salmond, née Hasell (1745-1820), three-quarter-length, in an oyster satin dress and pink gown, in a landscape,1745-1820
128 x 102.5 cm
George Romney (Dalton-in-Furness, Lancashire 1734-1802 Kendal, Cumbria) Portrait of William Salmond (1737-1779), three-quarter-length, in the robes of office of a member of the Island Council of Anti...
Portrait of William Salmond (1737-1779), three-quarter-length, in the robes of office of a member of the Island Council of Antigua, his left hand resting on an architectural drawing, in a landscape; and Portrait of Jane Salmond, née Hasell (1745-1820), three-quarter-length, in an oyster satin dress and pink gown, in a landscape,1745-1820
128 x 102.5 cm
George Romney (Dalton-in-Furness, Lancashire 1734-1802 Kendal, Cumbria) Portrait of William Salmond (1737-1779), three-quarter-length, in the robes of office of a member of the Island Council of Anti...
Christie's
Dec 08, 2017
Full description
Sir Michael le Fleming, 4th Bt. (1748-1806), bust-length,1748-1806
61.5 x 51 cm
Christie's
Oct 31, 2017
Sir Michael le Fleming, 4th Bt. (1748-1806), bust-length,1748-1806
61.5 x 51 cm
George Romney (Dalton-in-Furness, Lancashire 1734-1802 Kendal, Cumbria) Sir Michael le Fleming, 4th Bt. (1748-1806), bust-length oil on canvas 24 ¼ x 20 1/8 in. (61.5 x 51 cm.)...
Sir Michael le Fleming, 4th Bt. (1748-1806), bust-length,1748-1806
61.5 x 51 cm
George Romney (Dalton-in-Furness, Lancashire 1734-1802 Kendal, Cumbria) Sir Michael le Fleming, 4th Bt. (1748-1806), bust-length oil on canvas 24 ¼ x 20 1/8 in. (61.5 x 51 cm.)...
Christie's
Oct 31, 2017
Full description
Portrait of Francis Lind (1752/3-1840), three-quarter-length, seated at a window, a one-keyed Simpson ivory flute in his right hand,1734-1802
126.3 x 101.7 cm
Christie's
Jul 07, 2017
Portrait of Francis Lind (1752/3-1840), three-quarter-length, seated at a window, a one-keyed Simpson ivory flute in his right hand,1734-1802
126.3 x 101.7 cm
George Romney (Dalton-in-Furness, Lancashire 1734-1802 Kendal, Cumbria) Portrait of Francis Lind (1752/3-1840), three-quarter-length, seated at a window, a one-keyed Simpson ivory flute in his right ...
Portrait of Francis Lind (1752/3-1840), three-quarter-length, seated at a window, a one-keyed Simpson ivory flute in his right hand,1734-1802
126.3 x 101.7 cm
George Romney (Dalton-in-Furness, Lancashire 1734-1802 Kendal, Cumbria) Portrait of Francis Lind (1752/3-1840), three-quarter-length, seated at a window, a one-keyed Simpson ivory flute in his right ...
Christie's
Jul 07, 2017
Full description
Prometheus Bound,1802
27.9 x 41 cm
Christie's
Jul 05, 2017
Prometheus Bound,1802
27.9 x 41 cm
George Romney (Dalton-in-Furness, Lancashire 1734-1802 Kendal) Prometheus Bound numbered ‘No. 23’ (upper right) and ‘21’ (lower right) pencil, pen and brown ink, brown wash 11 x 16 1/8 in. (27.9 x...
Prometheus Bound,1802
27.9 x 41 cm
George Romney (Dalton-in-Furness, Lancashire 1734-1802 Kendal) Prometheus Bound numbered ‘No. 23’ (upper right) and ‘21’ (lower right) pencil, pen and brown ink, brown wash 11 x 16 1/8 in. (27.9 x...
Christie's
Jul 05, 2017
Full description
The Dream of Atossa,1802
27.9 x 41.6 cm
Christie's
Jul 05, 2017
The Dream of Atossa,1802
27.9 x 41.6 cm
George Romney (Dalton-in-Furness, Lancashire 1734-1802 Kendal) The Dream of Atossa pencil and brown ink, brown wash 11 x 16 3/8 in. (27.9 x 41.6 cm.)...
The Dream of Atossa,1802
27.9 x 41.6 cm
George Romney (Dalton-in-Furness, Lancashire 1734-1802 Kendal) The Dream of Atossa pencil and brown ink, brown wash 11 x 16 3/8 in. (27.9 x 41.6 cm.)...
Christie's
Jul 05, 2017
Full description
196 x 128.5 cm
Sotheby's
December 07, 2016
196 x 128.5 cm
This handsome portrait is considered to be Romney's very first full-length, and one of the finest works of his early career. Though unrecorded in scholarship on the artist until its re-appearance in t...
196 x 128.5 cm
This handsome portrait is considered to be Romney's very first full-length, and one of the finest works of his early career. Though unrecorded in scholarship on the artist until its re-appearance in t...
Sotheby's
December 07, 2016
Full description
Study of a man, bust-length, in a plumed hat, traditionally called Macbeth,1734-1802
19.7 x 15.9 cm
Christie's
Dec 07, 2016
Study of a man, bust-length, in a plumed hat, traditionally called Macbeth,1734-1802
19.7 x 15.9 cm
George Romney (Dalton-in-Furness, Lancashire 1734-1802 Kendal, Cumbria) Study of a man, bust-length, in a plumed hat, traditionally called Macbeth pen and brown ink 7 ¾ x 6 ¼ in. (19.7 x 15.9 cm.)...
Study of a man, bust-length, in a plumed hat, traditionally called Macbeth,1734-1802
19.7 x 15.9 cm
George Romney (Dalton-in-Furness, Lancashire 1734-1802 Kendal, Cumbria) Study of a man, bust-length, in a plumed hat, traditionally called Macbeth pen and brown ink 7 ¾ x 6 ¼ in. (19.7 x 15.9 cm.)...
Christie's
Dec 07, 2016
Full description
Study for 'A girl with her dead fawn',1734-1802
36.9 x 54.7 cm
Christie's
Sep 27, 2016
Study for 'A girl with her dead fawn',1734-1802
36.9 x 54.7 cm
George Romney (Dalton-in-Furness, Lancashire 1734-1802 Kendal) Study for 'A girl with her dead fawn' numbered '98' (upper right) and 'No. 71' (_verso_) pencil and grey wash, watermark fleur-de-lys,...
Study for 'A girl with her dead fawn',1734-1802
36.9 x 54.7 cm
George Romney (Dalton-in-Furness, Lancashire 1734-1802 Kendal) Study for 'A girl with her dead fawn' numbered '98' (upper right) and 'No. 71' (_verso_) pencil and grey wash, watermark fleur-de-lys,...
Christie's
Sep 27, 2016
Full description