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Isca Greenfield-Sanders

American, b. 1978

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Isca Greenfield-Sanders

American, b. 1978

840
Followers
Biography

Saturated with nostalgia and vibrant hues, Isca Greenfield-Sanders’ paintings emerge from an intensive, meticulous process. She finds, scans, edits, and prints vintage photographs, alters them with watercolor and pencil, then mounts details from the images onto tiles before, finally, painting over them in oils. This layering of mediums mirrors the layers of abstract and figurative meaning in her works. “I have an interest in the never-ending quality of an image,” Greenfield-Sanders says. “I think of these paintings as being traced from one medium to the next, perhaps being translated.” Many of Greenfield-Sanders’ paintings depict post-war American ideals of family and leisure, such as her idyllic seaside and backyard pool scenes. Others, such as the Korean War parachute paintings in the series “Against the Fall” (2008), reveal a more explicit skepticism about America’s fabled innocence in the 1950s.

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Career Highlights
Learn more about artist insights.
Established
Established representation
Represented by industry leading galleries.
User
Solo show at a major institution
The Museum of Modern Art (MoMA), and 1 more
Publication
Reviewed by a major art publication
Artforum
Biography

Saturated with nostalgia and vibrant hues, Isca Greenfield-Sanders’ paintings emerge from an intensive, meticulous process. She finds, scans, edits, and prints vintage photographs, alters them with watercolor and pencil, then mounts details from the images onto tiles before, finally, painting over them in oils. This layering of mediums mirrors the layers of abstract and figurative meaning in her works. “I have an interest in the never-ending quality of an image,” Greenfield-Sanders says. “I think of these paintings as being traced from one medium to the next, perhaps being translated.” Many of Greenfield-Sanders’ paintings depict post-war American ideals of family and leisure, such as her idyllic seaside and backyard pool scenes. Others, such as the Korean War parachute paintings in the series “Against the Fall” (2008), reveal a more explicit skepticism about America’s fabled innocence in the 1950s.

Career Highlights
Learn more about artist insights.
Established
Established representation
Represented by industry leading galleries.
User
Solo show at a major institution
The Museum of Modern Art (MoMA), and 1 more
Publication
Reviewed by a major art publication
Artforum
Shows Featuring Isca Greenfield-Sanders
Articles Featuring Isca Greenfield-Sanders
My Highlights from the IFPDA Print Fair 2013
Oct 29th, 2013
My Highlights from the IFPDA Print Fair 2013
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