Skip to Main Content

Jacques Lipchitz

Lithuanian-French, 1891–1973

467 followers
Follow

Jacques Lipchitz

Lithuanian-French, 1891–1973

467
Followers
Biography

Among the foremost 20th-century Cubist sculptors, Jacques Lipchitz produced muscular, expressive works exploring biblical and mythological stories and such universal human themes as fidelity, love, and motherhood. He moved to Paris in 1909, where he began his career and became influenced by the nascent cubist style of Pablo Picasso and Georges Braque and the aesthetic of the machine. For Lipchitz, Cubism was a form of emancipation from preceding artistic movements, as his angular, vigorously modeled forms attest. Working principally in bronze (his favorite medium) and focused on the figure, he represented such allegories as The Rape of Europa, The Song of Songs, and the embrace of a mother and child, with emotion and sensitivity. “I never deserted the subject, even in my most abstract, cubist sculptures,” he once said, “because I have always believed that there must be communication between the artist and the spectator.”

Related Categories
Career Highlights
Learn more about artist insights.
Established
Established representation
Represented by industry leading galleries.
Auction
High auction record
$3m, Sotheby's, 2013
User
Solo show at a major institution
The Museum of Modern Art (MoMA), and 3 more
Group
Group show at a major institution
The Museum of Modern Art (MoMA), and 8 more
Institution
Collected by a major institution
Tate, and 1 more
Publication
Reviewed by a major art publication
Artforum, and 1 more
Fair
Included in a major biennial
Venice Biennale National Pavilion, and 3 more
Biography

Among the foremost 20th-century Cubist sculptors, Jacques Lipchitz produced muscular, expressive works exploring biblical and mythological stories and such universal human themes as fidelity, love, and motherhood. He moved to Paris in 1909, where he began his career and became influenced by the nascent cubist style of Pablo Picasso and Georges Braque and the aesthetic of the machine. For Lipchitz, Cubism was a form of emancipation from preceding artistic movements, as his angular, vigorously modeled forms attest. Working principally in bronze (his favorite medium) and focused on the figure, he represented such allegories as The Rape of Europa, The Song of Songs, and the embrace of a mother and child, with emotion and sensitivity. “I never deserted the subject, even in my most abstract, cubist sculptures,” he once said, “because I have always believed that there must be communication between the artist and the spectator.”

Career Highlights
Learn more about artist insights.
Established
Established representation
Represented by industry leading galleries.
Auction
High auction record
$3m, Sotheby's, 2013
User
Solo show at a major institution
The Museum of Modern Art (MoMA), and 3 more
Group
Group show at a major institution
The Museum of Modern Art (MoMA), and 8 more
Institution
Collected by a major institution
Tate, and 1 more
Publication
Reviewed by a major art publication
Artforum, and 1 more
Fair
Included in a major biennial
Venice Biennale National Pavilion, and 3 more
Shows Featuring Jacques Lipchitz