James Ensor
Belgian, 1860-1949
High auction record
€7m, Sotheby's, 2016
Collected by major museums
Tate, Museum of Modern Art (MoMA)
Selected exhibitions
Harris Schrank Fine Prints at IFPDA Print Fair 2017,
Harris Schrank Fine Prints
Biennial of Painting: Yoknapatawpha,
Museum Dhondt-Dhaenens
Arts & Foods: Rituals since 1851,
Triennale Design Museum

A major figure of the Belgian avant-garde in the late 19th century and a forerunner of 20th-century Expressionism, James Ensor produced paintings that explored religious subject matter, political satire, and carnivalesque imagery (his family owned an antiques and souvenir emporium that sold grotesque carnival masks). Stylistically, his paintings are characterized by harsh colors and thick layers of oil paint, sometimes applied with palette knives or spatulas. His most famous work, Christ’s Entry into Brussels (1889), incorporated his trademark style and depictions of fairground masks to satirize contemporary religion and politics in Belgium. In his early years, Ensor was a founder and leader of Les Vingt (The Twenty), a group whose goal was to promote new artistic developments in Europe, though they later rejected his work as it became more radical and extreme in subject and method. …

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